Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Symphonie Nr. 4 in e-Moll, Op.98

Sir John Eliot Gardiner und das Royal Concertgebouw Orchestra zeigen auf faszinierende Art und Weise die Kanten und Ecken in Brahms' vier Symphonien.

Kontrollierter Wahnsinn und Extreme schossen ein erinnerungswürdiges Foto dieser musikalischen Paarung und luden Batterien, Geist und Brahmsbilder für Künftiges voll auf.

Viel Beifall für schwebende Leichtigkeit und feingliedrige Klangstrukturen im Konzert der Bamberger Symphoniker mit ihrem Chefdirigenten.

Edward Gardner und Mari Eriksmoen verzauberten mit spätromantischen Pretiosen beim „Wintermezzo”-Konzert aus Norwegen.

Sopranistin Sarah Wegener begibt sich mit dem BRSO und Mariss Jansons auf eine leidenschaftliche Orchesterlieder-Reise von Strauss.

Die Staatskapelle Dresden präsentiert mit Christian Thielemann und dem meisterhaften Denis Matsuev Brahms, Weber und Liszt in Luzern.

Camilla Tilling eröffnete mit einer maßstabsetzenden Interpretation von Dutilleux' Correspondances, danach überzeugte das Tonhalle-Orchester unter Pablo Heras-Casado mit einer orchestralen Spitzenleistung.

Dem Geiger Nikolaj Znaider und dem SWR Radio-Sinfonieorchester Stuttgart gelang mit dem ersten Abonnementkonzert ein fulminanter Auftakt der 54. Konzertsaison der Kunstfreunde im Palatin Wiesloch.

In Buffalo, old meets new in an insightful Brahms Fourth Symphony that shares the billing with a world premiere concerto for two double basses and harp.

Tras Urbano de Marcela Rodríguez, Scott Yoo dirigió a la OFCM en una interpretación de las Canciones de Wesendonck de Wagner con Sarah Traubel, seguida de una apasionada interpretación de la última sinfonía de Brahms.

Almost a case of bringing coals to Newcastle: two works by Brahms, played by a Swiss orchestra and with an Austrian soloist in the composer's home town.

There's no place like home for Singaporean conductor Kahchun Wong, where he is a musical celebrity. 

The National Arts Centre Orchestra and Joshua Hopkins bring Jake Heggie and Margaret Atwood’s Songs for Murdered Sisters to Roy Thomson Hall, intriguingly partnered with two works from the high Romantic.

Le jeune violoniste suédois a proposé une interprétation purement extraordinaire du Concerto de Mendelssohn, avant une convaincante Quatrième Symphonie de Brahms.

The Hong Kong Philharmonic's performances of Brahms' Second and Fourth symphonies at City Hall prove acoustically problematic under chief conductor Jaap van Zweden. 

Un virtuoso estreno en México de Fractalis, de Gabriela Ortiz, fue seguido por una Cuarta sinfonía de Brahms con problemas de balance y tempo.

Stepping in at short notice, Sousa led the Philharmonia in Brahms' Fourth Symphony, before which Steven Isserlis dazzled in a deeply enjoyable reading of Dvořák’s Cello Concerto.

Alice Sara Ott quenching the demonic flames of César Franck's Le Chasseur maudit with a beautiful rendition of Beethoven's C minor piano concerto. 

Bringing a programme of music from their homeland and works with resonance to the people of Ukraine, the Ukrainian Freedom Orchestra make a strong impression.

Las desviaciones barrocas que anunciaba el título del programa fueron sorpresivas y dieron lugar a un concierto de muy buen nivel en el que además descubrimos a una solista solvente: Karen Gomyo.

Alsop and the London Philharmonic do full justice to Barber and give Soltani's cello superlative support in Shostakovich, but sound inappropriately restless in Brahms.

Segunda jornada de la Staatskapelle Berlin en Madrid con Daniel Barenboim en la dirección.

Antoine Tamestit continues his Artist Portrait series with a concerto that was initially rejected by its first proposed soloist. 

The eclectic programme of 19th-century concerto and symphony, coupled with a world premiere, failed to yield any knockout performance from this team. 

Malgré une grande Camilla Nylund dans les Quatre derniers lieder de Strauss, le concert de l'Orchestre National de France dans la basilique laisse sur sa faim.

Nézet-Séguin and the Orchestre Métropolitain perform Dvořák and Brahms with a lightness of touch and attention to detail.

Superb communication as the RSNO support their own leader in Samuel Barber's Violin Concerto.

Mark Bouchkov's exceptionally powerful performance of the Sibelius Violin Concerto focused on the music's sweep and majesty.

The classical music industry badly needs its new solo stars and less familiar repertory. Jess Gillam and her sparkling saxophone together with the RPO and Vasily Petrenko show the way.

Myung-whun Chung conducts the Royal Concertgebouw Orchestra in Sibelius and Brahms.

À Radio France, Cristian Măcelaru propose une lecture plutôt intimiste de la Symphonie n° 4 de Brahms, et relie le compositeur à son ami Johann Strauss fils, chanté par Fatma Said.

Superb performances of Schoenberg and Brahms make the Berliner Philharmoniker's thrilling season-opener with Kirill Petrenko a concert to remember. 

How do you envisage spending your 93rd birthday? Herbert Blomstedt joined the Bamberg Symphony for a programme of Honegger and Brahms. 

Bell didn’t try to impress with speed nor call attention to his virtuosity; expression and color were paramount with notes sounding clearly.

En la primera cita de 2020 de Ibermúsica se presentaron la legendaria Filarmónica de San Petersburgo, con quien es su director desde 1988, Yuri Temirkanov y el joven pianista Behzod Abduraimov para el Concierto de piano núm. 1 de Tchaikovsky y la Cuarta sinfonía de Brahms.

The Bavarian Radio Symphony Orchestra triumphs under inspiring conducting in Vienna.

Josep Pons se puso al frente de la Sinfónica de Galicia con un heterogéneo concierto en el que se conjuntaba la severidad alemana de Brahms, con la delicadeza francesa de Ravel y la peculiar creación actual del compositor Gabriel Bussi.

The New York Philharmonic Orchestra under the baton of Semyon Bychkov present a program of Larcher and Brahms.

Rafael Payare and the Ulster Orchestra present a programme of music that looks both backwards and forwards from composers who were musical visionaries.

Bernard Haitink delights at the Concertgebouw in two great symphonies from masters of the 18th and 19th centuries. 

La Filarmónica de Hamburgo y Kent Nagano se presentaron en Madrid con un programa finamente hilado: dos magníficas composiciones de Brahms y un estreno de Jesús Rueda basado a su vez en una obra del compositor de Hamburgo.

In a terrific performance under Manfred Honeck, the German violinist brings down the house with Beethoven's Violin Concerto. 

Pour célébrer ses rares retrouvailles avec le Philharmonique de Radio France, Marek Janowski a concocté un programme dévoilant l'orchestre sous différentes coutures. 

Remplaçant Julia Fischer, Ye-Eun Choi a fait ses débuts parisiens en compagnie de l’Orchestre National de France. La jeune violoniste coréenne est sans doute l'une des artistes les plus accomplies de la génération de demain.

Si en anteriores reseñas nos hemos hecho eco de ilustres visitas, hoy no podemos menos que celebrar la presencia de la Gewandhausorchester de Leipzig. Con Andris Nelsons al frente, ofrecieron el Concierto Emperador en las manos de Yefim Bronfman y la Cuarta sinfonía de Brahms. 

Alexandre Bloch and Royal Northern Sinfonia throw down a challenge to any listener who thinks that Brahms is comfortable and easy with a radical reading of his Fourth Symphony.

Le Swedish Chamber Orchestra a confirmé, après une première partie décevante, sa réputation d’ensemble fringant débordant d’intelligence soliste à travers la Quatrième Symphonie de Brahms.

An unusual programme at the Musikverein, drawing together works by Mendelssohn, Brahms and a piano concerto by Britten. 

Rafael Payare contrasts a stentorian Brahms Symphony 4 with colorful French scores, including a scintillating Shéhérazade.

Sir Simon Rattle and the Berlin Philharmonic Orchestra are at a distance from performing at their usual top form in their returning concert in Hong Kong.