Washington National Opera's merry take on Mozart's Magic Flute

Von Sydney Boyd, 03 November 2019

Laden, bitte warten...

Veranstaltung anzeigen

“Mancasola never sounded anything but clear as a bell and winsome as the moon rising behind her”

Rezensierte Veranstaltung: Kennedy Center: Opera House, Washington, am 2 November 2019

Mozart, Die Zauberflöte

Washington National Opera

Eun Sun Kim, Musikalische Leitung

Christopher Mattaliano, Regie

Neil Peter Jampolis, Bühnenbild, Kostüme, Licht

David Portillo, Tamino

Sydney Mancasola, Pamina

Kathryn Lewek, Königin der Nacht

Michael Adams, Papageno

Wei Wu, Sarastro

Kevin Short, Sprecher

Washington National Opera Chorus

Washington National Opera Orchestra

Götterdämmerung weicht amerikanischer Morgenröte

Hilary Stroh, 6th May

Die Götterdämmerung schloss den Zyklus passend - und gänzlich amerikanisch - ab.

****1

Washington National Opera marches onward with a joyous Treemonisha

Sam Jacobson, 15th March

A vibrant new production of Scott Joplin’s Treemonisha at Washington National Opera underscores the opera’s enduring message of education, community and social justice.

****1

WNO's Samson et Dalila shows how sweet love's poison can sound

Sydney Boyd, 1st March

Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center.

****1

A #metoo Don Giovanni at Washington National Opera

Sydney Boyd, 29th February

Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.

****1

Russell Thomas shines in gloomy David Alden's Otello

Vishnu Bachani, 26th October

The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

***11

Venera Gimadieva leads a moving Traviata in DC

Ako Imamura, 21st October

A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

****1

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Sydney Boyd

Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She has a Ph.D. in English literature from Rice University, where she currently holds a post-doctoral Spatial Studies fellowship in the Humanities Research Center.