A #metoo Don Giovanni at Washington National Opera

Von Sydney Boyd, 01 März 2020

Laden, bitte warten...

Veranstaltung anzeigen

“Leporello... was a gem to behold in the hands of Kyle Ketelsen”

Rezensierte Veranstaltung: Kennedy Center: Opera House, Washington, am 29 Februar 2020

Mozart, Don Giovanni

Washington National Opera

Evan Rogister, Musikalische Leitung

E Loren Meeker, Regie

Erhard Rom, Bühnenbild

Jean-Pierre Ponnelle, Kostüme

Ryan McKinny, Don Giovanni

Vanessa Vasquez, Donna Anna

Keri Alkema, Donna Elvira

Kyle Ketelsen, Leporello

Vanessa Becerra, Zerlina

Peter Volpe, Komtur

Alek Shrader, Don Ottavio

Norman Garrett, Masetto

Eric Sean Fogel, Choreographie

Robert Wierzel, Licht

S Katy Tucker, Projection Design

Washington National Opera Chorus

Washington National Opera Orchestra

Götterdämmerung weicht amerikanischer Morgenröte

Hilary Stroh, 6th May

Die Götterdämmerung schloss den Zyklus passend - und gänzlich amerikanisch - ab.

****1

Washington National Opera marches onward with a joyous Treemonisha

Sam Jacobson, 15th March

A vibrant new production of Scott Joplin’s Treemonisha at Washington National Opera underscores the opera’s enduring message of education, community and social justice.

****1

WNO's Samson et Dalila shows how sweet love's poison can sound

Sydney Boyd, 1st March

Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center.

****1

Washington National Opera's merry take on Mozart's Magic Flute

Sydney Boyd, 2nd November

Could The Magic Flute be the next Nutcracker? A child-friendly take on the classic in a mash-up of pyramids and petticoats.

***11

Russell Thomas shines in gloomy David Alden's Otello

Vishnu Bachani, 26th October

The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

***11

Venera Gimadieva leads a moving Traviata in DC

Ako Imamura, 21st October

A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

****1

Weitere Kritiken...

Sydney Boyd

Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She has a Ph.D. in English literature from Rice University, where she currently holds a post-doctoral Spatial Studies fellowship in the Humanities Research Center.