Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Images, Set 1 no. 1: Reflets dans l'eau, for piano

Forwards? Backwards? Upside down? All three at once? From Machaut to Pärt, Ensemble 360 considers the relationship between musical structures and varieties of mathematical pattern.

Cristian Mǎcelaru elicits enthralling performances from the ONF, Daniil Trifonov blends stunning virtuosity with poetic insight in a crowd-pleasing French program.

Two mighty piano sonatas bookend Marc-André Hamelin's concert at Sydney's City Recital Hall. 

Marc-André Hamelin opens his recital with the uncompromising demands of Ives’ Concord Sonata, followed by suites of Schumann and Ravel.

Yannick Nézet-Séguin premieres a new edition of William Grant Still's Fourth Symphony and joins Daniil Trifonov for Gershwin's rousing Concerto in F.

À la Philharmonie, Nelson Freire a donné un récital magistral, une leçon d'interprétation, de poésie et de lumière.

Jaap van Zweden commenced his role as music director of the New York Philharmonic with a première by Ashley Fure, Stravinsky's Rite of Spring, and Ravel's Piano Concerto in G major featuring pianist Daniil Trifonov. 

Un pianiste d’une rare sincérité. Compte-rendu.

“Wigmore Hall is flooded now!” confessed Philippe Cassard. It was Claude Debussy who left the tap running, with every form of precipitation – rain, snow, fog – pouring from the Steinway's keyboard, trickling from fountain, springing from river beds. 

The monumental shadow of Pierre Boulez loomed rather too large over Ravel's Left Hand Concerto and the full Firebird in François-Xavier Roth's detailed readings.

Canadian pianist Marc-Andre Hamelin combined intimacy, heroism and virtuosity in a concert of music by Field, Schubert, Liszt, Chopin and Yehudi Wyner.

The young Russian pianist Daniil Trifonov gave a thrilling, absorbing and pianistically matchless performance of works by Bach, Rachmaninov and Liszt in his Royal Festival Hall debut.

Daniil Trifonov returns to Carnegie Hall in a performance of Stravinsky, Debussy, Ravel, and Schumann.

Daniil Trifonov dazzled, for sure, but at times he did slightly more than that. And when he did dazzle, it was always very musical dazzling; he is far from the empty dazzler one might expect so young a virtuoso to be. No – there’s no doubt that Trifonov is a highly intelligent musician, as well as a highly talented one, and there was much to enjoy in this varied programme for Wigmore Hall.

Anyone who knows the name Marc-André Hamelin will know him foremost for his technique. It is, to use a crude expression, what his brand is built upon.