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Sympathy for the Devil: Satan has to compete with exciting visuals in Mefistofele in Budapest

Von George Jahn, 12 April 2022
Laden, bitte warten...
Veranstaltung anzeigen
“a showcase role for a bass, and Amoretti tackled it with formidable range and power”
Rezensierte Veranstaltung: Hungarian State Opera: Auditorium, Budapest, am 10 April 2022
Programm
Boito, Mefistofele
Darsteller
Hungarian State Opera
Antonello Allemandi, Musikalische Leitung
Balázs Kovalik, Regie
Csaba Antal, Bühnenbild
Mari Benedek, Kostüme
Hungarian State Opera Orchestra
Hungarian State Opera Chorus
Rubén Amoretti, Mefistofele
Cosmin Ifrim, Faust
Gabriella Létay Kiss, Margherita, Elena
Anna Csenge Fürjes, Marta, Pantalis
Gergely Boncsér, Nereo, Wagner
Marianna Venekei, Choreographie
Gábor Csiki, Chorleitung
Hungarian State Opera Children's Chorus
Nikolett Hajzer, Chorleitung
Weitere Oper Kritiken
Ambrogio Maestri gibt Budapester Falstaff Auftrieb
David Karlin, 22nd May
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****1
Glänzende Turandot an der Ungarischen Staatsoper
Jenny Camilleri, 30th January
Aufregend dirigiert und überwiegend gut gesungen sollte diese üppige aber schnörkellose Turandot sowohl Traditionalisten und abenteuerlustige Operngänger erfreuen.
***11
All that glitters is not gold in Budapest's new Lohengrin
Orsolya Gyárfás, 16th November
Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.
**111
A thrilling, opulent La Bayadère at Hungarian National Ballet
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Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act. 
*****
Visually splendid, dramatically parched La Gioconda in Budapest
Gianmarco Segato, 11th June
Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation. 
***11
Stumbling towards the chopping block: Maria Stuarda in Budapest
Orsolya Gyárfás, 14th May
Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.
**111
Weitere Kritiken...
Kritiken von
Anna Csenge FürjesAntonello AllemandiArrigo BoitoBalázs KovalikBudapest Philharmonic OrchestraCosmin IfrimCsaba AntalErwin SchrottGabriella Létay KissGergely BoncsérGábor CsikiHungarian National BalletHungarian State OperaHungarian State Opera Children's ChorusHungarian State Opera ChorusHungarian State Opera OrchestraMari BenedekMarianna VenekeiMefistofeleNikolett HajzerRubén Amoretti
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George Jahn
George Jahn
George Jahn is the former Vienna bureau chief of The Associated Press. During his 35-year career at the global news organization, he covered wars, politics... and opera, reviewing productions at the Vienna State Opera, the Salzburg Festival, Bayreuth Festival and other houses in Austria and Germany. He has also written for Opera Now and International Piano magazines in London. Those he has interviewed include Matthias Goerne, Vesselina Kasarova, Thomas Hampson and Mariss Jansons. George holds or shares awards for his reporting on U.N. affairs and for his coverage of the Bosnian war. A Canadian/Hungarian citizen, he splits his time between residences in Vienna and Budapest.