Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Boito

Der himmlische Chor und das Orchester glänzen in Àlex Ollés Inszenierung, die der Musik szenisch nicht gerecht wird.

Zum Auftakt der Spielzeit 2015/16 feiert die Bayerische Staatsoper mit Arrigo Boitos Oper Mefistofele gleich dreierlei Premieren, die teils jedoch nur verhalten aufgenommen wurden.

Bryn Terfel hizo su debut en México con una noche de Wagner y una selección de arias y canciones diversas.

L'œuvre d’Arrigo Boito fait son entrée au répertoire toulousain dans une belle mise en scène de Jean-Louis Grinda, qui foisonne d'idées tout en restant au service du texte.

Balázs Kovalik’s opulent staging of Boito's Faustian opera threatens to overshadow the singers, but it makes for an exciting spectacle.

Las dotes interpretativas de Bryn Terfel salvan un recital en el que la música no fue la protagonista.

Mefistofele proves a mixed blessing: good meets evil, devils fight with angels, lovely lyricism alternates with bombast and second-rate material.

L'Opéra de Lyon a le vent en poupe, multipliant depuis quelques années les programmations audacieuses. Lever de rideau avec un Mefistofele déroutant, mis en scène par Àlex Ollé.

Bryn Terfel propose un récital maléfique et jubilatoire aux Chorégies d'Orange !

For the final week of the CSO season, Muti led a stirring program of operatic excerpts by Verdi, Puccini and Mascagni, along with a rarity by Boito.

Rarely performed, Boito’s Mefistofele is an audacious, spectacular opera, needing an audacious, spectacular staging to do it justice. That’s exactly what it gets in Balázs Kovalik’s production for Hungarian State Opera.

Despite some outstanding choral work, the State Opera's new production of Boito's popular take on the Faust legend falls short of its heavenly aspirations.

The 91st season of the San Francisco Opera opened with a revival of Arrigo Boito’s Mefistofele in Robert Carsen’s well-traveled production. The staging extends Shakespeare’s metaphor: if the whole world’s a stage, then heaven, quite naturally, must be an opera house.

The New Zealand Symphony Orchestra really has the perfect Wagner sound. Their full, vibrant string tone and magnificent pealing brass were fully in evidence in a thrilling rendition of the concert version of the overture from Tannhäuser. Few moments in music are as exciting as the build-up to the Big Tune in this piece, and the orchestra’s performance here was barnstorming yet perfectly accurate.