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Evangelical fervour: Dunedin Consort's St Matthew Passion at Wigmore Hall

Von Roy Westbrook, 13 April 2022
Laden, bitte warten...
Veranstaltung anzeigen
“more Leipzig 1736 than Edwardian London”
Rezensierte Veranstaltung: Wigmore Hall, London, am 12 April 2022
Programm
Bach, Matthäus-Passion, BWV244
Darsteller
Dunedin Consort
Nicholas Mulroy, Tenor, Direktor
Stephan Loges, Bassbariton
Fflur Wyn, Sopran
Anna Dennis, Sopran
Claudia Huckle, Alt
Amy Lyddon, Sopran
David Lee, Tenor
William Gaunt, Bass
Claire Evans, Sopran
Julia Doyle, Sopran
Tom Kelly, Tenor
Weitere Konzert Kritiken
The Dunedin Consort Messiah remains a welcome seasonal speciality
David Smythe, 18th December

The Dunedin Messiah, a speciality with Baroque instruments, is given with soloists Nardus Williams, Lotte Betts-Dean, Joshua Ellicott and Dingle Yandell in Perth, directed by John Butt.

****1
Leipzig 300: Dunedin Consort explores the Thomaskantor shortlist
David Smythe, 7th February
The Dunedin Consort explores the 1723 Thomaskantor shortlist:  Georg Philipp Telemann, Christoph Graupner and Johann Sebastian Bach in a programme directed by John Butt. 
****1
Troubled times reflected in Songs of War I Have Seen
David Smythe, 13th October

Composed for Baroque and modern players with Gertrude Stein’s spoken text, Heiner Goebbels Songs of War I Have Seen in an intriguing performance conducted by Ellie Slorach. 

***11
An especially memorable Messiah from the Dunedin Consort
David Smythe, 14th December

John Butt directs the Dunedin Consort and a top team of soloists in St Mary's Cathedral for Handel's seasonal favourite. 

*****
Authenticity and enjoyment in Dunedin Consort's Acis and Galatea
David Smythe, 22nd June

Rachel Redmond is a sweet voiced Galatea in the Dunedin Consort's performance of the Cannons version of Acis and Galatea in Perth. 

****1
Trials of love told vividly by the Dunedin Consort in Edinburgh
David Smythe, 25th February

John Butt and the Dunedin Consort are joined by Anna Dennis and Matthew Brook in “Trials of Love”, two Baroque cantatas illustrating the perils of infatuated love from Scarlatti and Handel.

****1
Weitere Kritiken...
Kritiken von
Amy LyddonAnna DennisClaire EvansClaudia HuckleDavid LeeDunedin ConsortFflur WynJohann Sebastian BachJulia DoyleMatthäus-Passion, BWV244Nicholas MulroyStephan LogesTom KellyWilliam Gaunt
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Roy Westbrook
Roy Westbrook
Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.