The devil is in the detail: Stephen Layton’s Hallé Messiah

Jess Dandy and Hilary Cronin

Stephen Layton conducts the Hallé Choir and the Hallé

Stephen Layton

Von Leighton Jones, 10 Dezember 2023

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“the voice of the evening was Jess Dandy, whose richness, colour and expressiveness were remarkable”

Rezensierte Veranstaltung: The Bridgewater Hall, Manchester, am 9 Dezember 2023

Händel, Messias

The Hallé

Stephen Layton, Musikalische Leitung

Hilary Cronin, Sopran

Jess Dandy, Alt

James Gilchrist, Tenor

Matthew Brook, Bassbariton

The Hallé Choir

Matthew Hamilton, Chorleitung

Spieluhren und Saxophon, Gedichte und Gänse: The Hallé aus Manchester

Michael Klier, 14th January

Jonathan Bloxham dirigiert einen trostvollen Musikgenuss, der die Nachteile eines gestreamten Konzerts über lange Strecken vergessen ließ.

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Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

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Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

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Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

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Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

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Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

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Weitere Kritiken...

Leighton Jones

Leighton has extensive teaching experience from early years to postgraduate level music. Currently he works as a primary music specialist, visiting instrumental teacher and examiner. As a pianist, he was inspired to play after hearing Moura Lympany at a young age and has a large collection of her recordings. Leighton’s postgraduate studies focussed on his interest in 20th-century English orchestral music, with particular study of Britten, Rawsthorne, Walton and Vaughan Williams. A keen choral singer he has developed a comprehensive knowledge of chiefly British choral music.

The devil is in the detail: Stephen Layton’s Hallé Messiah at Bridgewater Hall