A fast and furious Messiah

Von Hilary Stroh, 18 Dezember 2015

Laden, bitte warten...

Veranstaltung anzeigen

“Stutzmann’s Messiah didn’t dawdle around much, but saved the world at an accelerated pace”

Rezensierte Veranstaltung: Kennedy Center: Concert Hall, Washington, am 17 Dezember 2015

Händel, Messias

National Symphony Orchestra

Nathalie Stutzmann, Musikalische Leitung

Emőke Baráth, Sopran

Sara Mingardo, Mezzosopran

Lawrence Wiliford, Tenor

Stephen Powell, Bariton

University of Maryland Concert Choir

Im Zeichen der Manierismen

Simon Haasis, 9th February

Lang Lang, Christoph Eschenbach und das National Symphony Orchestra Washington zu Gast im Wiener Konzerthaus.

***11

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

****1

Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

****1

Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

****1

NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

****1

National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

****1

Weitere Kritiken...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

A fast and furious Messiah: Nathalie Stutzmann's debut for NSO