A fast and furious Messiah

Par Hilary Stroh, 18 décembre 2015

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“Stutzmann’s Messiah didn’t dawdle around much, but saved the world at an accelerated pace”

Critique faite à Kennedy Center: Concert Hall, Washington, le 17 décembre 2015

Haendel, Le Messie

National Symphony Orchestra

Nathalie Stutzmann, Direction

Emőke Baráth, Soprano

Sara Mingardo, Mezzo-soprano

Lawrence Wiliford, Ténor

Stephen Powell, Baryton

University of Maryland Concert Choir

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

****1

Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

****1

Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

****1

NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

****1

National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

****1

Rollicking Mahler Fifth may have just put NSO on the global map

David Rohde, 20th February

Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra

*****

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Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

A fast and furious Messiah: Nathalie Stutzmann's debut for NSO