Emanuel Ax joins the New York Philharmonic for an evening of Haydn, Rouse and Wagner

Von Lydia Brown, 25 Juni 2013

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 22 Juni 2013

Haydn, Klavierkonzert in D-Dur, Hob XVIII:11

Rouse, Symphony no. 3

Wagner, Orchestral excerpts from The Ring of the Nibelung (arr Alan Gilbert after Erich Leinsdorf)

New York Philharmonic

Alan Gilbert, Musikalische Leitung

Emanuel Ax, Klavier

Yo-Yo Ma spielt Salonen in Hamburg

Zenaida des Aubris, 3rd April

Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

****1

Fragiles Spiel in New York

Stefan Pillhofer, 7th April

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.

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Elim Chan takes the New York Philharmonic to the ball

Susan Stempleski, 27th May

The Hong Kong-born conductor conducts a masterful performance of selections from Prokofiev’s Cinderella and Philharmonic Principal Carter Brey bids farewell in Saint-Saëns’ First Cello Concerto.

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Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

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Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

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Lydia Brown

Lydia Brown is presently pursuing her B.A. at New York University, where she studies journalism and ethnomusicology. Though she trained for many years as a classical violinist, Lydia's interests include cross-cultural musical hybridity and the effects of miscegenation on the musical output of early Irish-Americans.