Emanuel Ax joins the New York Philharmonic for an evening of Haydn, Rouse and Wagner

Par Lydia Brown, 25 juin 2013

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Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 22 juin 2013

Haydn, Concerto pour piano en ré majeur, Hob XVIII: 11

Rouse, Symphony no. 3

Wagner, Orchestral excerpts from The Ring of the Nibelung (arr Alan Gilbert after Erich Leinsdorf)

New York Philharmonic

Alan Gilbert, Direction

Emanuel Ax, Piano

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

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Lydia Brown

Lydia Brown is presently pursuing her B.A. at New York University, where she studies journalism and ethnomusicology. Though she trained for many years as a classical violinist, Lydia's interests include cross-cultural musical hybridity and the effects of miscegenation on the musical output of early Irish-Americans.