Longborough's new Vixen a cunning, charming success

Von Roy Westbrook, 02 August 2021

Laden, bitte warten...

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“the young singers ... clearly relished working on an ensemble piece with no single dominating role.”

Rezensierte Veranstaltung: Longborough Festival Opera, Moreton-in-Marsh, am 1 August 2021

Janáček, Das schlaue Füchslein

Longborough Festival Opera

Justin Brown, Musikalische Leitung

Olivia Fuchs, Regie

Nate Gibson, Bühnenbild, Kostüme

Jake Wiltshire, Licht

Julieth Lozano Rolong, Füchslein Schlaukopf

Kieran Rayner, Förster

Caroline Taylor, Schopfhenne, Woodpecker

Frances Gregory, Fuchs, Hund

Emma Charles, Franzl

Lucy Mellors, Jay, Hahn

Joanna Harries, Frau Paškova

Mimi Doulton, Pepík

Rozanna Madylus, Forester’s wife

Emily Kyte, Eule

Laurence Panter, Fliege

Edmund Caird, Pásek

Gabriel Seawright, Schulmeister

Aaron Holmes, Háraschta

David Howes, Dachs, Pfarrer

Longborough Festival Opera Orchestra

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Longborough Festival Opera, built on Wagnerian foundations, stages the UK premiere of Avner Dorman’s ambitious cautionary tale about the Wagner clan and establishing the composer’s legacy.

***11

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David Karlin, 18th June

Who wouldn't relish the chance of seeing a Ring cycle at close quarters? Longborough's Die Walküre isn't perfect, but it consistently delivers on the story and on character interpretation.

****1

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Roy Westbrook, 29th July

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***11

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Roy Westbrook, 11th July

Olivia Fuchs directs Monteverdi's early opera in a sparse staging with a consistently fine cast.

***11

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Roy Westbrook, 29th May

Longborough's Ring Cycle reaches completion in the Cotswold's, effectively staged by Amy Lane.

****1

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David Karlin, 27th June

An outstanding performance from Rachel Nicholls lights up Carmen Jakobi's compelling production of Korngold's exploration of grief.

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Weitere Kritiken...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Longborough Festival Opera's new Vixen a cunning, charming success