Unhurried suspense in a very English Parsifal

Daniel Johansson (Parsifal) and Kristina Stanek (Kundry)

Daniel Johansson (Parsifal) and Flower Maidens

Audun Iversen (Amfortas) and Daniel Johansson (Parsifal)

Kristina Stanek (Kundry) and John Relyea (Gurnemanz)

Daniel Johansson, John Relyea (Gurnemanz), Audun Iversen (Amfortas) and John Tomlinson (Titurel)

Daniel Johansson (Parsifal), John Relyea (Gurnemanz), Kristina Stanek (Kundry), Glyndebourne Chorus

Von Peter Quantrill, 19 Mai 2025

Laden, bitte warten...

Veranstaltung anzeigen

“the Grail scene unfolds... like a climactic chapter from one of Anthony Trollope’s sagas”

Rezensierte Veranstaltung: Glyndebourne Opera House, Glyndebourne, am 17 Mai 2025

Wagner, Parsifal

Glyndebourne Festival Opera

Robin Ticciati, Musikalische Leitung

Jetske Mijnssen, Regie

Ben Baur, Bühnenbild

Gideon Davey, Kostüme

Fabrice Kebour, Licht

London Philharmonic Orchestra

The Glyndebourne Chorus

Daniel Johansson, Parsifal

John Relyea, Gurnemanz

Kristina Stanek, Kundry

Audun Iversen, Amfortas

Ryan Speedo Green, Klingsor

Sir John Tomlinson, Titurel

Dustin Klein, Choreographie

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Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

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Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

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*****

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David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

Philosophy trumps passion in Glyndebourne’s Tristan

Dominic Lowe, 29th July

Magnificent conducting from Robin Ticciati and fine singers make Glyndebourne's latest revival of Lehnhoff’s production musically rewarding, but cerebral philosophical elevation overpowers the earthy reality of lust and love.

***11

Weitere Kritiken...

Peter Quantrill

Peter Quantrill is a regular contributor to Gramophone, The Strad and other journals. Recent programme notes have been published by the Salzburg and Edinburgh festivals, the Los Angeles Philharmonic and the Royal Ballet. He also writes about music and musicians for many record labels including Eloquence, Delphian, Signum, Danacord and Brilliant Classics. Once unplugged from his hi-fi, he can generally be found in a London concert hall or at the cricket, and he tweets (sporadically) @PeterQuantrill.