Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

Paul Taylor Dance Company at Yerba Buena Center for the Arts

Von Jaime Robles, 19 April 2015
Laden, bitte warten...
Veranstaltung anzeigen
“Diggity is refreshingly simple in its movement, with a dollop of dearness and a dash of the absurd. ”
Rezensierte Veranstaltung: Yerba Buena Center for the Arts Theater, San Francisco, am 16 April 2015
Programm
Diggity (Paul Taylor)
Promethean Fire (Paul Taylor)
Death and the Damsel (West Coast premiere)
Darsteller
Paul Taylor Dance Company
Weitere Tanz Kritiken
Paul Taylor Dance Company in London: musicality reigns supreme
Deborah Weiss, 28th January
Paul Taylor Dance Company's second programme at the Linbury is an invigorating, uplifting, refreshing mix of easily digestible, pure dance.
****1
Paul Taylor Dance Company: exhilarating in new and legacy works
Daniel Pratt, 27th January
A welcome return to London by Paul Taylor Dance Company after more than two decades, this triple bill was worth the wait.
****1
The newest: gala night at Paul Taylor Dance in New York
Carla Escoda, 11th November
A letdown and a triumph at the Paul Taylor Dance gala this week, featuring new works by Lauren Lovette and Robert Battle, both resident choreographers, she in her 4th year, he in his 2nd. 
****1
The extremes: Paul Taylor Dance at the Koch
Carla Escoda, 9th November
From disturbing to daffy: a searing indictment and a gentle parody, both from Paul Taylor, at Lincoln Center in New York, as his company continues to pack houses in its fall season.
***11
The crowd-pleasers: Paul Taylor Dance on fire in New York
Carla Escoda, 8th November
Company B and Esplanade bookended a popular mixed bill from Paul Taylor Dance Company in the first week of their ambitious fall season at New York's Lincoln Center.  
****1
Paul Taylor Dance Company: Churchyard explores sacred and profane
Ivy Lin, 18th June
An interesting triple bill with some rarely seen Paul Taylor works carefully reconstructed. Esplanade still sends the audience home filled with joy.
****1
Weitere Kritiken...
Kritiken von
DiggityJohann Sebastian BachPaul TaylorPaul Taylor Dance CompanyPromethean Fire
Verwandte Artikel
Loading image...
Bachkantate Ach, wie flüchtig, ach, wie nichtig, BWV26
Loading image...
Bachkantate Lass, Fürstin, lass noch einen Strahl, BWV198
Loading image...
Bachkantate Allein zu dir, Herr Jesu Christ, BWV33
Loading image...
Bachkantate Gott, man lobet dich in der Stille, BWV120
Mehr von Jaime Robles
Visions of Classical (Re)Vision in San Francisco
Eifman Ballet in a strangely psychological Pygmalion Effect
Alonzo King's LINES Ballet takes a walk on the wild side
The solace of love in San Francisco Ballet’s Program 5: Lyric Voices
Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.