A superbly entertaining Kiss Me, Kate at the Theater Bonn

Von Cristina Burack, 12 November 2018

Laden, bitte warten...

Veranstaltung anzeigen

“Martin Duncan's direction and Nick Winston's choreography went far beyond good”

Rezensierte Veranstaltung: Opernhaus Bonn, Bonn, am 10 November 2018

Porter, Kiss me, Kate

Theater Bonn

Daniel Johannes Mayr, Musikalische Leitung

Martin Duncan, Regie

Francis O'Connor, Bühnenbild, Kostüme

Oliver Arno, Fred Graham / Petruchio

Stefan Viering, Harry Trevor / Baptista

Frank Wöhrmann, Bill Calhoun / Lucentio

Kara Kemeny, Lois Lane / Bianca

Bettina Mönch, Lilli Vanessi / Katharine

Michael Schanze, Gunman 1

Hans-Jürgen Schatz, Gunman 2

Thiago Silveira Fayad, Hortensio

Nico Stank, Gremio

Beethoven Orchester Bonn

Chor des Theater Bonn

Ode an das Zweifeln: Trojahn-Beethoven-Doppelabend am Theater Bonn

Alexandra Richter, 8th February

Das Theater Bonn widmet sich im Beethovenjahr 2020 dem Komponisten mit einer Auftragskomposition Manfrad Trojhans.

***11

Marx in London: Madcap comedy at Theater Bonn

Cristina Burack, 20th January

Jonathan Dove's new opera is a comedic romp with clever lyrics set to wonderful contrasting music, though a more nuanced actor as Karl Marx could have better brought out the philosopher's amusing contradictions.

****1

Eine bunte, phantastische Entführung

Ilana Walder-Biesanz, 21st September

Gespielt wird auf fliegenden Sofas in dieser bunten Aufführung von Mozarts Entführung aus dem Serail, und mit ungewöhnlichen Textänderungen werden wir von einem Erzähler und einer Kulissenkünstlerin durch die Oper geführt.

****1

Beautiful Sing, but no Spiel: an unusual Munich Entführung

Laura Servidei, 12th June

Ivor Bolton leads the Bayerische Staatsorchester in a delightful musical rendition of Mozart’s masterpiece, with a great performance by Pavol Breslik as Belmonte.

***11

Clown court: Offenbach's Fantasio at Garsington

Matthew Rye, 14th June

The UK stage debut of Offenbach’s neglected Fantasio reveals a musical sizzler, but directorially it needs a more sympathetic touch than Garsington musters.

***11

Prom 57: On the Town

Sebastian Scotney, 25th August

John Wilson was constantly persuading the orchestra to dig deep and to unearth the riches and miracles in the orchestral writing.

****1

Weitere Kritiken...

Cristina Burack

Cristina Burack studied piano and flute for many years, before earning her BM in Voice and Opera performance at Northwestern University, with a strong focus on German Lieder, as well as a BA in History. After continuing her vocal studies in Vienna, she turned her professional focus to communications. She is a freelance journalist who particularly enjoys covering the intersection of music, history and politics.