A superbly entertaining Kiss Me, Kate at the Theater Bonn

Par Cristina Burack, 12 novembre 2018

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“Martin Duncan's direction and Nick Winston's choreography went far beyond good”

Critique faite à Opernhaus Bonn, Bonn, le 10 novembre 2018

Porter, Kiss me, Kate

Theater Bonn

Daniel Johannes Mayr, Direction

Martin Duncan, Mise en scène

Francis O'Connor, Décors, Costumes

Oliver Arno, Fred Graham / Petruchio

Stefan Viering, Harry Trevor / Baptista

Frank Wöhrmann, Bill Calhoun / Lucentio

Kara Kemeny, Lois Lane / Bianca

Bettina Mönch, Lilli Vanessi / Katharine

Michael Schanze, Gunman 1

Hans-Jürgen Schatz, Gunman 2

Thiago Silveira Fayad, Hortensio

Nico Stank, Gremio

Beethoven Orchester Bonn

Chor des Theater Bonn

Ode an das Zweifeln: Trojahn-Beethoven-Doppelabend am Theater Bonn

Alexandra Richter, 8th February

Das Theater Bonn widmet sich im Beethovenjahr 2020 dem Komponisten mit einer Auftragskomposition Manfrad Trojhans.

***11

Marx in London: Madcap comedy at Theater Bonn

Cristina Burack, 20th January

Jonathan Dove's new opera is a comedic romp with clever lyrics set to wonderful contrasting music, though a more nuanced actor as Karl Marx could have better brought out the philosopher's amusing contradictions.

****1

Désopilantes Fiançailles au Couvent : le retour

Arnaud Saura-Ziegelmeyer, 22nd May

Près de 42 ans après la création de l’oeuvre en langue française, sous la baguette de Michel Plasson à Strasbourg, le Théâtre du Capitole accueillait l’oeuvre du compositeur russe dans sa nouvelle version échaffaudée et présentée lors du début d’année 2011.

****1

Beautiful Sing, but no Spiel: an unusual Munich Entführung

Laura Servidei, 12th June

Ivor Bolton leads the Bayerische Staatsorchester in a delightful musical rendition of Mozart’s masterpiece, with a great performance by Pavol Breslik as Belmonte.

***11

Clown court: Offenbach's Fantasio at Garsington

Matthew Rye, 14th June

The UK stage debut of Offenbach’s neglected Fantasio reveals a musical sizzler, but directorially it needs a more sympathetic touch than Garsington musters.

***11

Prom 57: On the Town

Sebastian Scotney, 25th August

John Wilson was constantly persuading the orchestra to dig deep and to unearth the riches and miracles in the orchestral writing.

****1

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Cristina Burack

Cristina Burack studied piano and flute for many years, before earning her BM in Voice and Opera performance at Northwestern University, with a strong focus on German Lieder, as well as a BA in History. After continuing her vocal studies in Vienna, she turned her professional focus to communications. She is a freelance journalist who particularly enjoys covering the intersection of music, history and politics.