A near miss in Mozart's Requiem

Von Dominic Lowe, 28 August 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Fischer... drew playing from the strings in the Lacrimosa that dripped melancholy”

Rezensierte Veranstaltung: Royal Albert Hall, London, am 26 August 2016

Mozart, Bassarie „Per questa bella mano“, KV612

Mozart, Klarinettenkonzert in A-Dur, KV622

Kovács, Sholem-alekhem, rov Feidman!

Mozart, Requiem in d-Moll, KV626 ((compl. Süssmayr))

Ákos Ács, Klarinette

Lucy Crowe, Sopran

Barbara Kozelj, Mezzosopran

Jeremy Ovenden, Tenor

Hanno Müller-Brachmann, Bariton

Collegium Vocale Gent

Budapest Festival Orchestra

Iván Fischer, Musikalische Leitung

Igor Levit und Budapest Festival Orchestra: ein Fest für Prokofjew

Sebastian Urmoneit, 24th March

Mit dem Dritten stand wohl das bekannteste Klavierkonzert Prokofjews im Mittelpunkt, eingerahmt von zwei glänzenden Orchesterstücken.

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Musikalische Ekstase auf Ungarisch

Sarah Schnoor, 26th March

Das Budapest Festival Orchestra bringt mit einem Bartók-Programm ungarische Klangfarben in die Elbphilharmonie.

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Die Allrounder – Budapest Festival Orchestra und Andras Schiff

David Renke, 28th November

Sowohl Beethovens zweites als auch drittes Klavierkonzert interpretierte der gebürtige Ungar András Schiff mit dem Budapest Festival Orchestra in der Münchner Philharmonie.

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Clarity and communion in Budapest Festival Orchestra’s Mahler 3

Michelle Assay, 12th February

On the final leg of their North American tour, the Budapest Festival Orchestra’s Mahler proves a a transformative experience within the intimate setting of Toronto’s Koerner Hall.

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Budapest Festival Orchestra plays – and sings – at Carnegie Hall

Susan Stempleski, 6th February

Joined by violinist Maxim Vengerov, the Hungarian orchestra, under Music Director Iván Fischer, is in top form in a program of three highly contrasting pieces.

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Budapest Festival Orchestra at the Elbphilharmonie

Mengguang Huang, 11th November

Iván Fischer and Alina Ibragimova transform familiar works into a vivid experience. From Beethoven’s Violin Concerto to Strauss’ Josephs Legende, the orchestra dazzles with colour, energy and cinematic intensity.

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Weitere Kritiken...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Prom 54: A near miss for the Budapest Festival Orchestra in Mozart's Requiem