Adina in Wonderland: Lisette Oropesa shines in Pesaro

Von Laura Servidei, 17 August 2018

Laden, bitte warten...

Veranstaltung anzeigen

“Oropesa's... coloratura was sparkling and perfectly supported”

Rezensierte Veranstaltung: Teatro Rossini, Pesaro, am 15 August 2018

Rossini, Adina

Diego Matheuz, Musikalische Leitung

Rosetta Cucchi, Regie

Tiziano Santi, Bühnenbild

Claudia Pernigotti, Kostüme

Lisette Oropesa, Adina

Levy Sekgapane, Selimo

Vito Priante, Califo

Matteo Macchioni, Alì

Davide Giangregorio, Mustafà

Coro del Teatro della Fortuna "M. Agostini"

Orchestra Sinfonica G. Rossini

From Priscilla to Pappataci: L’italiana in Algeri in drag at the ROF

Laura Servidei, 12th August

Rosetta Cucchi jumps on the bandwagon with a shallow production of L’italiana in Algeri, although Daniela Barcellona’s charisma and vocal prowess dominates the scene.

***11

Marco Tutino's Two Women at Wexford Festival Opera

Andrew Larkin, 26th October

Artistic Director Rosetta Cucchi makes a compelling case for Marco Tutino's impassioned opera on the horrors of war from a woman's perspective.

****1

Natalie Aroyan saves opening night of Adriana Lecouvreur in Sydney

Jeremy Eccles, 20th February

The Armenian-Australian soprano steps in for an indisposed Ermonela Jaho in Rosetta Cucchi's staging of Cilea's verismo masterpiece.

****1

The other Otello: Rosetta Cucchi delivers a powerful staging in Pesaro

Mark Pullinger, 11th August

Rossini's Otello is rarely performed, mainly due to its three demanding tenor roles, but the Rossini Opera Festival delivers a knockout, both vocally and emotionally.

*****

Scarlatti's Griselda at Martina Franca

Lorenzo Fiorito, 29th July

A swan song of the early Baroque opera seria, Scarlatti's final opera flourishes at a festival that specialises in rarely performed works.

****1

The resurrection of an opera: Alfano's Risurrezione in Florence

Renato Verga, 19th January

Risurrezione is a work whose value is to be found more in the orchestra than in the vocal lines, a peculiar thing for an Italian opera belonging to an epoch that gloried in enticing melodies.

***11

Weitere Kritiken...

Laura Servidei

Mathematician, science nerd, translator of popular science books, obsessed opera fan since the teen years. Day job: business analyst in a software house developing systems for the financial industry. Amateur choral singer. Main musical interests: baroque music and Italian opera. Originally from Italy, currently based in Sweden. I make a mean eggplant parmesan.