Saburo Teshigawara takes on Wagner

Von Carla Escoda, 12 März 2018

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“In the ephemeral world of dance, Teshigawara’s Isolde emerges as an unyielding tower of strength”

Rezensierte Veranstaltung: Hong Kong Cultural Centre: Grand Theatre, Hong Kong, am 10 März 2018

Tristan and Isolde (Saburo Teshigawara)

Rihoko Sato, Tanz

Teshigawara recreates a contemporary Petrushka at the Biennale Danza

Silvia Poletti, 22nd July

A new Petrushka full of contemporary anguish as Japanese artist Saburo Teshigawara presents a world premiere to celebrate his Golden Lion Lifetime Achievement award in Venice.

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Aesthetic unity shines in bold staging of Orfeo ed Euridice in Tokyo

Nahoko Gotoh, 19th May

Several notable house debuts, including the renowned director and choreographer Sabuto Teshigawara, enlivened the New National Theatre's first-ever production of Gluck's opera.

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Berlioz croise les pas de Teshigawara à la Philharmonie

Sylvain Gaulhiac, 4th October

Belle soirée à la Philharmonie où la musique de Berlioz croise les pas de danse de Saburo Teshigawara et Rihoko Sato, avec l'Orchestre de Lyon sous la direction de Xian Zhang.

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Teshigawara takes on Dostoevsky: The Idiot at the Print Room

Graham Watts, 27th March

Teshigawara is now 65 and it is beyond comprehension that a man can still move with such muscular control and feline fluidity well into his seventh decade.

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French Baroque meets modern dance at Drottningholm

Laura Servidei, 31st July

Saburo Teshigawara sets Rameau’s opéra-ballet Pigmalion as a compelling dance performance

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Un programme d'exception à Garnier

Laurine Mortha, 25th October

La musique de Stravinsky aurait pu être la ligne directrice de cette soirée, qui débutait avec Agon et se terminait par le Sacre du Printemps (version Pina Bausch). Mais Grand Miroir, la nouvelle création de Saburo Teshigawara, suspend le fil musical de Stravinsky par une parenthèse plus méditative : le Violin Concerto composé et dirigé par Esa-Pekka Salonen.

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Weitere Kritiken...

Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.

Saburo Teshigawara takes on Wagner: Tristan and Isolde at the Hong Kong Arts Festival