Semele crashes and burns, but Louise Alder soars up at Ally Pally

Von Mark Pullinger, 03 Mai 2019

Laden, bitte warten...

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“Louise Alder’s sizzling Semele, tremendously sung, sexily bending notes”

Rezensierte Veranstaltung: Alexandra Palace Theatre, London, am 2 Mai 2019

Händel, Semele (Concert staging)

Sir John Eliot Gardiner, Musikalische Leitung

Thomas Guthrie, Regie

Louise Alder, Semele

Lucile Richardot, Ino, Juno

Gianluca Buratto, Somnus, Cadmus

Carlo Vistoli, Athamas

Hugo Hymas, Jupiter

Angela Hicks, Cupid

Emily Owen, Iris

Peter Davoren, Apollo

Monteverdi Choir

English Baroque Soloists

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David Smythe, 2nd August

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*****

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Dominic Lowe, 29th March

Part of this year's London Handel Festival, Apollo e Dafne and The Choice of Hercules are transported to the stage in a captivating production that blends music and dance.

****1

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Mark Valencia, 7th May

Four excellent soloists played a major part in the evening’s success, marking the 50th anniversary of the Collegium Musicum of London.

***11

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David Karlin, 18th November

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****1

Vache Baroque opens with a fine Dido and Aeneas

David Karlin, 4th September

Purcell's counterpoint is beautifully sung by a young cast to inaugurate England's latest country house opera venue.

****1

El Liceu abre el año con una Aida histórica

Maria Sánchez, 13th January

Formas ilusorias del Antiguo Egipto de Josep Mestres Cabanes y récord de debuts en el estreno, en el que se coló algún que otro resbalón.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.