Ballet is back Kansas City!

Von Hilary Stroh, 16 Oktober 2021

Laden, bitte warten...

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“plenty of puckish, muscular Lords of the Dance and boisterous ballerinas”

Rezensierte Veranstaltung: Kauffman Center for the Performing Arts, Kansas City, am 15 Oktober 2021

Serenade (George Balanchine)

Wunderland (Edwaard Liang)

Celts (Lila York)

Kansas City Ballet

Sarasota Ballet's Conflicted Beauty: exemplifying excellence

Graham Watts, 17th November

An excellent and diverse triple bill with an Ashton gem at its centre.

****1

Petipa Awards Gala: thrilling theatrics and star turns!

Margaret Willis, 23rd September

A shimmering smorgasbord of some of today’s most exciting international dancers, who performed pristine works by Petipa.

****1

Pacific Northwest Ballet closes its digital season by looking back

Graham Watts, 18th June

An assortment of oddments from the repertoire to honour seven departing PNB dancers.

***11

Philosophy amid movement in San Francisco Ballet’s Dance Innovations

Terez Rose, 13th February

The ballet culminates with fouettés, bravura leaps from the oversized ensemble and a rousing finish with all 44 dancers onstage. It was an exuberant end to an intelligent, satisfying production, both of thought and movement.

****1

Firecrackers at the 15th Ballet Icons Gala

Margaret Willis, 26th January

An evening of sparkle and bravura at London's international ballet gala.

***11

Fall season's new works fall short at NYCB

Ivy Lin, 2nd October

Disappointing new creations in NYCB's Fall Fashion Gala, leaving Balanchine's Symphony in C as a surefire closer.

***11

Weitere Kritiken...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.