Ballet is back Kansas City!

Par Hilary Stroh, 16 octobre 2021

Chargement en cours, veuillez patienter...

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“plenty of puckish, muscular Lords of the Dance and boisterous ballerinas”

Critique faite à Kauffman Center for the Performing Arts, Kansas City, le 15 octobre 2021

Sérénade (George Balanchine)

Wunderland (Edwaard Liang)

Celts (Lila York)

Kansas City Ballet

Another successful evening for San Francisco Ballet

Laurine Mortha, 25th July

Avec son programme O ,le San Francisco Ballet nous propose un parcours chorégraphique émaillé d’œuvres désormais inscrites dans la tradition de la danse et de chorégraphies plus récentes.

****1

Sarasota Ballet's Conflicted Beauty: exemplifying excellence

Graham Watts, 17th November

An excellent and diverse triple bill with an Ashton gem at its centre.

****1

Petipa Awards Gala: thrilling theatrics and star turns!

Margaret Willis, 23rd September

A shimmering smorgasbord of some of today’s most exciting international dancers, who performed pristine works by Petipa.

****1

Pacific Northwest Ballet closes its digital season by looking back

Graham Watts, 18th June

An assortment of oddments from the repertoire to honour seven departing PNB dancers.

***11

Philosophy amid movement in San Francisco Ballet’s Dance Innovations

Terez Rose, 13th February

The ballet culminates with fouettés, bravura leaps from the oversized ensemble and a rousing finish with all 44 dancers onstage. It was an exuberant end to an intelligent, satisfying production, both of thought and movement.

****1

Firecrackers at the 15th Ballet Icons Gala

Margaret Willis, 26th January

An evening of sparkle and bravura at London's international ballet gala.

***11

Plus de critiques...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.