Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Edwaard Liang

An excellent and diverse triple bill with an Ashton gem at its centre.

A shimmering smorgasbord of some of today’s most exciting international dancers, who performed pristine works by Petipa.

Serenades, Siberia and a little Celtic nostalgia as Kansas City Ballet returns to the Kauffman Center for the Performing Arts.

An assortment of oddments from the repertoire to honour seven departing PNB dancers.

The ballet culminates with fouettés, bravura leaps from the oversized ensemble and a rousing finish with all 44 dancers onstage. It was an exuberant end to an intelligent, satisfying production, both of thought and movement.

An evening of sparkle and bravura at London's international ballet gala. 

Disappointing new creations in NYCB's Fall Fashion Gala, leaving Balanchine's Symphony in C as a surefire closer. 

Most of the pieces were choreographed at a similarly demanding level, with speed, precision and immaculate timing as necessities.

San Francisco Ballet gives a rousing account of Justin Peck's ground-breaking Rodeo, newcomers Ana Sophia Scheller and Ulrik Birkkjær make waves, and Carlo DiLanno wins my vote for MVP at this season's gala. 

Dazzling pop-ballet 'Bowie and Queen' marks Company Director's grand finale

Septime Webre's Great Glorious Latin Ballet 'Mash-up' energises the DC ballet crowd.

On a world première, a company première and the return of Liang's Opus 25 in a mixed bill by Singapore Dance Theatre.

Avec son programme O ,le San Francisco Ballet nous propose un parcours chorégraphique émaillé d’œuvres désormais inscrites dans la tradition de la danse et de chorégraphies plus récentes.

Sadler’s Wells present these five original works as an evening of British-Chinese cultural collaboration, but while full of beautiful moments, the evening falls short of this advertised purpose. Choreographers Russell Maliphant and Christopher Wheeldon each present two pieces, while Edwaard Liang presents one.

San Francisco Ballet, one of the oldest, biggest and most prestigious American companies, was last here eight years ago; their return – to judge by the buzzing crowd packing out Sadler’s Wells last night – has been eagerly awaited.