Musical painting from Marianne Crebassa and the Philharmonia

Von Kevin W Ng, 02 März 2019

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Veranstaltung anzeigen

“Crebassa revealed a creamy lower register that captured the ambiguous sensuality of the text”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 28 Februar 2019

Debussy, Images, Set 3 Nr. 2: Ibéria, für Orchester

Berio, Folk Songs

Donatoni, Esa

Ravel, Shéhérazade

Respighi, Pini di Roma (Pinien von Rom)

Philharmonia Orchestra

Esa-Pekka Salonen, Musikalische Leitung

Marianne Crebassa, Mezzosopran

Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie

Stefan Pillhofer, 1st October

Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.

***11

Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft

Sebastian Urmoneit, 24th April

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

*****

Viennese splendour in Garsington’s Rosenkavalier revival

Roy Westbrook, 28th May

Bruno Ravella's splendid 2021 production of Strauss' opera of Viennese manners returns with a fine cast.

****1

Garsington’s new La traviata ticks every musical and dramatic box

David Karlin, 27th May

Music Director Douglas Boyd conducts a performance of exceptional musical quality, and Louisa Muller's uncontroversial but passionate direction makes this Traviata one for the ages.

*****

Classical grace and Romantic eloquence from the Philharmonia

Christopher Woodley, 7th May

The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.

****1

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.

Musical painting from Marianne Crebassa, Esa-Pekka Salonen and the Philharmonia