Sudbin on sensational form at Wigmore Hall

Von Roy Westbrook, 10 Juni 2017

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“Sudbin brought a purgatory fire of his own with tremolos flickering with burning intensity”

Rezensierte Veranstaltung: Wigmore Hall, London, am 9 Juni 2017

Skrjabin, Vers la flamme, Op.72

Tschaikowsky, Nocturne in F major, Op.10 no. 1

Tschaikowsky, Les Saisons (The Seasons): Juin (June): Barcarolle

Tschaikowsky, Les Saisons (The Seasons): Novembre (November): Troika

Liszt, Études d’exécution transcendante, S139 Nr.11: Harmonies du Soir

Scarlatti, Sonatas

Medtner, Forgotten Melodies: Piano Sonata no. 11 in C minor "Sonata Tragica", Op.39 no.5

Yevgeny Sudbin, Klavier

Awash with sentiment: Scriabin's Piano Concerto

Hedy Mühleck, 3rd December

The CBSO shines in a programme of big, energetic music and tender emotions.

***11

Kalmar debuts in Atlanta, paired with Yevgeny Sudbin

William E Ford, 19th November

Conductor Carlos Kalmar and pianist Yevgeny Sudbin collaborated to play a solid Beethoven First Piano Concerto. Kalmar finished the program with a loud performance of the Schoenburg arrangement of Brahms' Piano Quartet no. 1.

***11

These things of darkness: Yevgeny Sudbin

Frances Wilson, 13th May

A dark thread ran through Yevgeny Sudbin’s recital at London’s Queen Elizabeth Hall, from the sombre B minor sonata by Haydn to Scriabin’s infamous “Black Mass” sonata and Saint-Saens’ virtuosic Danse macabre.

***11

A feast of virtuosity: Yevgeny Sudbin at Wigmore Hall

Frances Wilson, 21st January

It is rare to be at a concert where one is utterly captivated from the first note until the very last has faded to silence, but such was the effect of Russian pianist Yevgeny Sudbin on a packed Wigmore Hall at his lunchtime recital of works by Scarlatti, Chopin, Liszt, Scriabin and Saint-Saëns.

*****

Lucas Debargue beim Zürcher Kammerorchester: ein Pianist mit Zukunft

Thomas Schacher, 21st April

Seit dem „Skandal“ um seinen vierten Platz beim Tschaikowsky-Wettbewerb im Jahr 2015 geht die Karriere des französischen Pianisten steil aufwärts. In Zürich präsentiert er sich mit seinem Lieblingskomponisten Miłosz Magin.

****1

Vivaldis Il Giustino mit Jacobs und dem Freiburger Barockorchester

Jens Klier, 21st April

Jacobs, FBO und exzellenter Gesangscrew gelingt es als Ensemble im ureigensten Wortsinne, Atmosphäre und Figuren effektstark zu veranschaulichen.

****1

Weitere Kritiken...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.