Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

SF Ballet's Unbound Festival continues with superb dancing

Von Jaime Robles, 26 April 2018
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: War Memorial Opera House, San Francisco, am 24 April 2018
Programm
Bespoke (Stanton Welch)
Your Flesh shall be a Great Poem (Trey McIntyre)
Guernica (Annabelle Lopez Ochoa)
Darsteller
San Francisco Ballet
Benjamin Freemantle, Tanz
Jaime Garcia Castilla, Tanz
Lonnie Weeks, Tanz
Sasha De Sola, Tanz
Jennifer Stahl, Tanz
Isabella DeVivo, Tanz
Steven Morse, Tanz
Esteban Hernandez, Tanz
Alexandre Cagnat, Tanz
Dores André, Tanz
Vitor Luiz, Tanz
Julia Rowe, Tanz
Myles Thatcher, Choreographie
Angelo Greco, Tanz
Carlo Di Lanno, Tanz
Mathilde Froustey, Tanz
Frances Chung, Tanz
Weitere Tanz Kritiken
A Manon premiere opens San Francisco Ballet’s 2025 season
Terez Rose, 24th January
Sir Kenneth MacMillan's Manon is an unforgettable, stunning production – a classic well worth seeing.
****1
Broken Wings soars in SF Ballet’s Dos Mujeres
Terez Rose, 6th April
Annabel Lopez Ochoa's Broken Wings is a ballet you’ll want to see again and again, one that illuminates, empowers and soars.
****1
Charm and wit abound in San Francisco Ballet's Don Quixote
Terez Rose, 26th February
Helgi Tomasson and Yuri Possokhov's restaging of the 1869 Petipa classic brings a sunny smile to faces in San Francisco. 
****1
An evening with Scottish Ballet at the Edinburgh Festival
Graham Watts, 8th August
A worthwhile addition to the locker of lockdown digital dance.
***11
SFB's Unbound festival delivers
Terez Rose, 21st April
Unbound by restrictions, they’ve been given free rein to create, implement and demonstrate to the world what contemporary ballet looks like. Hint: it looks great.
****1
Distinctly SF
Terez Rose, 15th February
San Francisco Ballet delivers the distinct and the relevant in a mixed-bill program of choreographic works that includes Ghosts in the Machine.
****1
Weitere Kritiken...
Kritiken von
Alexandre CagnatAngelo GrecoAnnabelle Lopez OchoaBenjamin FreemantleBespokeCarlo Di LannoDores AndréEsteban HernandezFrances ChungIsabella DeVivoJaime Garcia CastillaJennifer StahlJohann Sebastian BachJulia RoweLonnie WeeksMathilde FrousteyMyles ThatcherSan Francisco BalletSasha De SolaStanton WelchSteven MorseTrey McIntyreVitor LuizYour Flesh shall be a Great Poem
Verwandte Artikel
Loading image...
Bachkantate Ach, wie flüchtig, ach, wie nichtig, BWV26
Loading image...
Bachkantate Lass, Fürstin, lass noch einen Strahl, BWV198
Loading image...
Bachkantate Allein zu dir, Herr Jesu Christ, BWV33
Loading image...
Bachkantate Gott, man lobet dich in der Stille, BWV120
Mehr von Jaime Robles
Visions of Classical (Re)Vision in San Francisco
Eifman Ballet in a strangely psychological Pygmalion Effect
Alonzo King's LINES Ballet takes a walk on the wild side
The solace of love in San Francisco Ballet’s Program 5: Lyric Voices
Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.