Live, Video: Find classical music concert, opera, ballet and dance reviews | Salonen

Familiar and unfamiliar Sibelius, a coruscating violin concerto and a recent score by Caroline Shaw are the elements of Dalia Stasevska’s noteworthy debut.

Stepping in for an indisposed Marta Gardolińska, the guest conductor leads a virtuosic performance of Lutosławski’s Concerto for Orchestra paired with Leila Josefowičz playing Szymanowski’s Second Violin Concerto.

Salonen and the Orchestre de Paris opened the Elbphilharmonie season with a vivid journey from Strauss’s dramatic energy, through a reflective new Horn Concerto, to Sibelius’s luminous, precise grandeur.

The Finnish conductor drove the orchestra as expertly as a racing champion in Strauss, Bartók and Salonen's own Sinfonia concertante for Organ and Orchestra.

After an absence of more than two decades, Esa-Pekka Salonen returns to The Cleveland Orchestra, conducting his own Cello Concerto, flanked by Ravel and Sibelius.

In his second week of local performances, the Finnish composer-conductor offers a lush performance of music by a beloved collaborator, the late Kaija Saariaho.

Beginning a two-week residency, Esa-Pekka Salonen juxtaposed a work of his own with selections from two composers with which he is deeply identified: Sibelius and Steven Stucky.

A century of Finnish music from Sibelius to Salonen as Mikko Franck guest conducts at the Philharmonie. 

In a week when the New York Phil announced Gustavo Dudamel as its next Music Director, a former candidate rekindles “what if?” thoughts. 

Two forces of nature meet when Esa-Pekka Salonen and Olivier Latry share the stage for the German premiere of Salonen's own Organ Concerto, with a programme that also includes incandescent Bartók.

Icelandic pianist Víkingur Ólafsson makes his debut with the Berlin Phil in John Adams' fiendish Must the Devil Have All the Good Tunes?.

Australian Ballet's latest triple bill features fresh young talent and new names to watch in creations by Wayne McGregor, Alice Topp and Justin Peck.

A nine-day celebration that could be also seen as a mini relaunch for the controversial building 

After hosting 18 months of concerts without audience, Berwaldhallen comes back to life with the Baltic Sea Festival and its phenomenal opening concert as intelligent as it is overwhelming.

A concert with a considerable sense of occasion, as the orchestra bids the Finn farewell from his Philharmonia post. 

Listening to arrangements of Bach is like Dostoevsky’s challenge not to think about polar bears. It’s best to put the Bach out of your thoughts, even if “the cursed thing will come to mind every minute.”

Edo de Waart and the NZSO thrill with the old warhorse that is Schubert's ninth as much as in an insightful and exciting rendition of Salonen's Violin Concerto.

Salonen's own Cello Concerto lay at the centre of the evening's programme, with Truls Mørk as soloist. 

Esa-Pekka Salonen brings the Baltic Sea Festival to an end in an eclectic, risk-taking programme of music by Biber, Beethoven and himself.

The Lithuanian National Symphony Orchestra present two works at the Berwaldhallen that both look to the past and future.

A random assortment of disassociated ballets performed with variable success - from the sublime to the nondescript. 

Salonen's tribute to Gehry, Yasuhisa Toyota and Deborah Borda seems to come more from his brilliant visual palette than his emotional heart. 

Esa-Pekka Salonen's return to Walt Disney concert hall highlighted his gifts as composer and conductor alike and underscored how an orchestra can sound genuinely 21st century.

The Los Angeles Philharmonic’s spotlight on Salonen the creative artist also imparted thoughts on our interconnected world. 

Baiba Skride has an incredible way of naturally engaging the listener’s emotions while transcending with ease the most challenging demands of the score.

Boston Ballet opens the 2017-2018 season with a program full of power, grace and artistic unity

Paavo Järvi joined artist-in-residence Leif Ove Andsnes and the musicians of the New York Philharmonic for Rachmaninov, Salonen and Sibelius.

Mirga's approach to Beethoven's Fifth showed a flair for innovation, the highlight of a strong programme that also featured a virtuosic performance from Leila Josefowciz of Stravinsky's Violin Concerto.

A stimulating and imaginative programme, including folksy Ligeti, with striking Salonen and intense Bartók from Lawrence Power, finished off with powerful Mahler from Gustavo Gimeno and the Philharmonia Orchestra.

The origins of chamber music lie in a wish for music that could fit within a small room. On display at the New York Philharmonic last Friday were recent contributions that wished for the opposite.

Alan Gilbert and the New York Philharmonic somewhat overpower the hall for the music of John Adams, Esa-Pekka Salonen's concerto fascinates on a first hearing.

Maestro Alan Gilbert and the New York Philharmonic gave the New York première of Esa-Pekka Salonen's Cello Concerto with soloist Yo-Yo Ma.

Esa-Pekka Salonen’s Cello Concerto received a successful world première with Yo-Yo Ma and the Chicago Symphony, the composer conducting, richly complemented by works of Adams and Stravinsky.

The company of ten is filled with very well trained dancers, mostly from Juilliard’s highly regarded dance program, and they are all quite good. 

The Royal Ballet revives Kenneth MacMillan’s The Invitation, to great public acclaim and with excellent performances in the main roles. The programme also features McGregor's new Obsidian Tear and Wheeldon's Within the Golden Hour.

Wayne McGregor pulls together a stellar all male cast for the Royal Ballet's world première of hisnew work, Obsidian Tear. 

An eclectic program under Esa-Pekka Salonen's baton, highlighted by Lutosławski’s watershed Third Symphony and a Shostakovich concerto with Yo-Yo Ma.

A stunning work by Esa-Pekka Salonen, a dream landscape by Karol Szymanowski and a monumental tone poem by Richard Strauss recently made for a rich offering in Zurich.

Neo-Romanticism, Modernism, and Post-Modernism run delightfully amok in the second night of the New York Philharmonic's Barbican residency.

The New York Philharmonic lack the 'wow' factor in Salonen, Ravel and Strauss at the Barbican.

An esoteric Nyx, an alluring Shéhérazade and a rollicking Rosenkavalier: the NYPO impress. 

The fascination of Esa-Pekka Salonen's Violin Concerto, featuring soloist Jennifer Koh, dominates this week's widely mixed programme led by Ludovic Morlot.

Esa-Pekka Salonen’s Violin Concerto "Out of Nowhere" received its long overdue UK première by the BBC Symphony Orchestra and Leila Josefowicz. Flanked by Sibelius’ Pohjola’s Daughter and Shostakovich’s Symphony no. 5, this was an exciting programme played brilliantly under Sakari Oramo.

My big night out this week was spent at the New York Philharmonic’s Tuesday evening concert, surely the case for most other 23-year-olds. (I kid, and yet over the past couple of years I have noticed a decided increase in young faces at Avery Fisher Hall.) I had intended to sit anonymously in the audience and get swept into the music like a leaf in the autumn wind.

The haze of the surreal, somnambulistic nightscape of Witold Lutosławski’s Les espaces du sommeil cast its strange pall over the expanse of the Los Angeles Philharmonic’s December 7 concert at Walt Disney Hall with Esa-Pekka Salonen at the podium.

At first hearing the idea of the music of Witold Lutosławski as the centerpiece of a Los Angeles Philharmonic “Green Umbrella” concert made a strangely incongruous impression. Music new or difficult is the usual fare of such a program.

Gloria Cheng is an uncommon artist. A specialist in contemporary piano literature, she has made a career championing new music and performing programs of adventurous (which is to say, esoteric) works. She is a frequent collaborator with some of the leading lights of contemporary music, including Pierre Boulez and Esa-Pekka Salonen.

When a guest conductor arrives for a few concerts with an orchestra, he or she doesn’t have very much time to shape his or her interpretation. On some occasions the orchestra successfully adopts the visitor’s style; on others they just play like they always do.

The Small Hall of the Concertgebouw in Amsterdam has had some very exciting chamber music programs this season. Tonight’s concert involved one of the most promising young cellists on the scene, Jakob Koranyi, and pianist Simon Crawford-Phillips. They played a diverse program featuring solo cello pieces by Ligeti and Esa-Pekka Salonen, and cello sonatas by Brahms and Shostakovich.

You might think that a programme containing Bach and 20th/21st century composers would suggest an evening of unconnected extremes. Nothing could be further from the truth in the case of Jennifer Koh's Bach and Beyond recital, given in Lennoxlove House, Haddington as part of the Lammermuir Festival.