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At Suntory Hall, Ton Koopman and the NHK Symphony Orchestra bring elegance and exuberance to an all-Mozart programme including a flute concerto featuring its principal flautist.

Zurich’s Tonhalle audience enjoys a triple-bill programme of fine polyphonic music under the baton of Dutch conductor Ton Koopman.

Ton Koopman's distinctively lively tempi, coupled with a contagious delight to be making music, has a fairly magnetic effect when conducting Bach's Mass in B minor.

The Partitas are Bach's most grueling works for keyboard, but Koopman's accomplished interpretation brought them to life. 

Ton Koopman directs the Amsterdam Baroque Chorus and Orchestra in a distinctive and personal interpretation of Handel's Messiah.

Dutch keyboardist and conductor Ton Koopman this weekend completed his third and final season as artist-in-residence with The Cleveland Orchestra, leading an all-Handel program that also featured the Cleveland Orchestra Chamber Chorus. It was a musically satisfying program that showed the versatility of both orchestra and chorus.

The Amsterdam Baroque Orchestra summoned the spirit of the holiday season this weekend with their performance of Johann Sebastian Bach’s Christmas Oratorio. The work was originally composed for church services taking place during the Christmas season of 1734. Tonight’s performance featured the entire work, which was originally split into six sections, each intended for a different day.