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Eva Ollikainen conducts the BBC Symphony Orchestra and soloist Johannes Moser in the UK premiere of Anna Thorvaldsdottir’s BBC co-commissioned Cello Concerto. 

After so many terrific concerts in the last few months, Petrenko's performance with the SSO does not quite fulfill expectations.

Osmo Vänskä’s visit to the Toronto Symphony brings an outstanding, dramatic new concerto from Detlev Glanert, while familiar masterpieces by Grieg and Sibelius spring to life with vivid freshness. 

After Helen Grimes makes her Symphony Hall debut, Johannes Moser is the soloist in William Walton's Cello Concerto, before Maurice Duruflé's Requiem comes as welcome consolation. 

Omer Meir Wellber conducts his first Bridgewater Hall concert as Chief Conductor of the BBC Philharmonic.

In his inaugural concert at the helm of the Ulster Orchestra, Rustioni starts the new season with vigour in a charged evening of musical excitement.

The Atlanta Symphony and Conductor Robert Spano pay tribute to one American and one Russian composer, beloved for their reflections on their homelands. 

Mirga Gražinytė-Tyla and the CBSO escort the Symphony Hall audience through environments of safety and danger.

In Zurich’s new and provisional Tonhalle Maag, Omer Meir Wellber recently conducted a triple bill of works from the Baroque, Romantic and modern periods.

Gustavo Gimeno conducted the Cleveland Orchestra in a colorful program inclusive of a pair of Spanish works, Stravinsky’s Firebird, and the Lalo Cello Concerto with soloist Johannes Moser.

The Politics of the New World Symphony: Euro-American Relations.

Johannes Moser summmoned the other in Dutilleux's Baudelaire-inspired cello concerto, but the BBC Philharmonic and Juanjo Mena gave a mundane account of Elgar's First Symphony. 

Jonathan Nott, Johannes Moser, and the CSO portray a traditional program in particularly evocative fashion

The LPO’s new principal guest conductor Andrés Orozco-Estrada makes his presence felt with a pair of Romantic masterpieces.

Framed by passionate performances of Mendelssohn and Brahms, a gorgeous neo-Romantic work by Steven Stucky is unveiled in this installment of the 2015 Summer Festival. 

The London Philharmonic Orchestra certainly pulled out all the stops with a Rest is Noise programme that, in theory, should have scared the horses half to death. A concert of three large orchestral works from height of the 1960/70s avant garde, and featuring composers from behind the Iron Curtain to boot, is a very rare beast indeed.

Bramwell Tovey, the principal guest conductor of the Los Angeles Philharmonic’s Hollywood Bowl concerts, is no stranger to the venue, though his ability to give a freshly minted polish to everything he conducts makes his appearances seem all too infrequent.His musicianship is subtle, but the results can be eye-opening – and they’re always deeply satisfying.