Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Daniel Johansson

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong. 

Christof Loy unearths hidden treasure with an opera by Franz Schreker long since buried after taking Europe by storm in the 1920s.

A semi-successful production with an interesting underlying idea and a solid cast brings Bizet’s masterpiece back to Stockholm.

Deutsche Oper Berlin staged an ambitious production by Laurence Pelly with mixed results. The performance included new discoveries and young singers brought fresh energy to the evening.

Domingo Hindoyan conducts a cast of Swedish performers in Verdi’s masterpiece, for the Baltic Sea Festival.

After her triumph at the Royal Opera House in London as Salome, Byström comes home to Sweden to great acclaim in Giordano’s opera.

Tatjana Gürbaca’s whole scale tampering with Wagner’s Siegfried had so many flashbacks and flashforwards there should have been a warning for photosensitive members of the audience.  

This summer’s production of Bizet’s Carmen on the Seebühne stage in Bregenz offers a great spectacle. 

Calixto Bieito's Tosca, despite an intriguingly modern setting, fails to make sparks fly.

Enoch zu Guttenberg conducts a concert of religious music that traverses a vast host of motley mass-related sentiments – but falls somewhat short of completing the course.

Steiner’s reading of the mildly disturbing but generally obsequiously presented story is decidedly edgy, especially considering the opera is staged inside the city church.

In his production of La traviata for the Swedish Royal Opera, Kasper Holten puts Violetta in a strip club and on the streets. Both the staging and the music are excellent, though the cast's acting is uneven.

Tatyana Gürbaca's new production of La traviata in Oslo may be on the heavy-handed side, but still offers fascinating new insights into Verdi's opera.

For his fourth production for the new Oslo opera house, Norwegian director Stefan Herheim turned his attention to Richard Strauss’ one-act opera Salome. This production is a co-production with the Salzburg Easter Festival (where this production premièred in 2011) and the Teatro Real in Madrid.