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A haunting, musically compelling impression of a woman whose life was shaped by creation, loss, and unfulfilled thirst for personal expression.

David Bösch directs a creative and thoughtful new production of Die Frau ohne Schatten at the Semperoper in Christian Thielemann's final opera as Principal Conductor. 

Barbora Horáková's imaginative updating of The Marriage of Figaro sags under its own weight at the Estates Theatre, Prague.

Barenboim conducts Otto Nicolai's Falstaff opera with a warmth and affection that is sorely lacking on stage. 

In a score that can be a Technicolor wallow, Jurowski’s sure sense of dramatic pulse and balance, encompassed the brash dance rhythms, religious grandeur, vivid tone painting and the extremes of dissonance.

If you let yourself be transported to director David Bösch’s strange world, you'll find an Elisir d'amore that is heartbreaking and uplifting by turns.