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André Barbe and Renaud Doucet's Magic Flute is ideal entertainment for a fizz-filled summer night.

An astonishing performance by Asmik Grigorian is central to the Italian director's disturbing reading of a disturbing opera. 

Under the baton of René Jacobs, B’rock Orchestra gave an inspired performance  that ought to contribute in giving Il ritorno d’Ulisse in Patria the place it deserves in the standard repertoire.

Klaus Florian Vogt’s Florestan redeems an otherwise disappointing Fidelio in Otto Schenk's timeless production.

Every operatic ingredient was thrown into the pot for H.K. Gruber's Geschichten aus dem Wiener Wald (Tales from the Vienna Woods), but do too many cooks spoil this operatic broth?