Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Lauren Snouffer

A visually delightful revival of Barbe & Doucet's action-packed Zauberflöte at Glyndebourne, with strong vocal performances throughout. 

The May Festival pulls all the stops to close their sesquicentennial season with Mahler’s vast and triumphant Eighth Symphony.

The Zurich opera house launches a novel production of Stefan Wirth's new opera in three movements based on the popular 1999 novel by Tracy Chevalier. 

De Waart once again showed a formidable grasp of the musical structure so that the occasional outbursts of violence made thematic sense and a strong feeling of tension led up to the final cry of despair.

The problem with on-stage vulgarity is that, while it might be sophisticated and knowing satire, it ends by being what it is parodying.

Jane Glover’s Cleveland Orchestra performance of Handel’s Messiah was both celebratory and historically-informed.

Written on Skin is a cold but effective opera full of musical and dramatic energy. Opera Philadelphia's new staging and talented young cast do it justice.

Dance takes center stage in Lyric Opera of Chicago's bold season-opening co-production of Gluck's Orphée et Eurydice.

Baroque specialist Patrick Dupré Quigley shows impressive mastery of a large, modern ensemble in a smart performance of a period masterpiece.

“Love, love, love… that is the soul of genius,” said Mozart. In no other work does he demonstrate this affirmation more compellingly than in his forever-beloved opera, Die Zauberflöte. 

A high-minded approach to Bach's masterpiece is undercut by an uneven performance.

An all-Beethoven concert by Markus Stenz and the Baltimore Symphony Orchestra provided an opportunity to hear familiar, not-so-familiar and downright rare repertoire from the master's pen.

This production proves that even Mozart’s best-laid plans can be undone.