Live, Video: Find classical music concert, opera, ballet and dance reviews | Dido and Aeneas, Z 626: Dido's Lament "When I am laid in earth"

The eclectic programme of 19th-century concerto and symphony, coupled with a world premiere, failed to yield any knockout performance from this team. 

The Orchestra and Chorus of Teatro alla Scala excel in a thrilling concert conducted by Riccardo Chailly with a magnificent contribution from soprano Lise Davidsen.

Anna Prohaska reigns supreme in programme of Cleopatra and Dido-inspired Baroque arias in her late night Prom.

Conceptually, the programme of descending and rising fourths offered a real treat: in practice, the musicians' skill was in danger of being lost as they attempted to recover from their opening gimmickry.

Mezzo soprano Karen Cargill and the Scottish Ensemble guest-led by Matthew Truscott in a programme of music from Purcell to Stravinsky all inspired by tales from Ancient Greece.

A thrilling finale to the 2017 Cardiff Singer of the World

While maybe not for the musical puritans, this was the perfect showcase for an exceptional group of musicians to demonstrate their formidable technical and interpretative talents and to respectfully give some new vitality to the magical works of Purcell.

Bringing her programme of Baroque arias to London, Joyce DiDonato was on a mission to discover how we find peace.

The element of surprise in this seemingly standard Late Night Prom of Handel, Muffat, Bach and Purcell by the period-instrument orchestra Academy of Ancient Music was Leopold Stokowski.

Andreas Scholl and Collegium 1704 team up for a refreshing treatment of an early repertoire.

Dame Emma Kirkby and Jakob Lindberg delight with an intimate and varied programme on the theme “Heroines of the Golden Age” at Brighton Early Music Festival. 

L'Arpeggiata fascinate, amuse, move to tears - in not even two hours.

If you like your Purcell spiced up with some jazz improvisation and Middle-Eastern flavours, Philippe Jaroussky and L’Arpeggiata’s gig was for you. 

Deft programming, fine arrangements and playing from Mr McFall's Chamber and guest soprano Susan Hamilton.

22 November 2012 would have been Benjamin Britten’s 99th birthday. Wigmore Hall marked the occasion with the first concert in a series of nine events in November and December. However, rather than focusing exclusively on Britten’s music, it built towards the climax that saw Britten’s angst-ridden late masterpiece Phaedra searingly performed.

Danielle de Niese, the much-marketed new star of the opera world, has been performing at the Met in The Enchanted Island this week, and came downtown on a night off this Monday to promote her new album of Baroque arias. A packed house filled (Le) Poisson Rouge, a club popular for both classical and mainstream artists, despite its unsuited acoustic.

Love may be a familiar feeling, but the passion Aurora Orchestra unleashed at LSO St Luke’s was enough to leave audiences wild with desire. Exploring the darkest undertones of love—anguish, jealousy, remorse and regret—Friday night’s programme, Jealous Guy, was woven together by tango music interspersed with tragic love stories from across musical history.

Right, we had our fun with the lively Scholl/Jaroussky concert in the Barbican in December, now for the serious stuff, Andreas Scholl singing the Purcell his admirers have wanted to hear for years. With one or two exceptions, the programme concentrated on Purcell's quieter, deeper and more reflective repertoire.

La magia envolvió un recital en el que Sondra Radvanovsky fusionó su monumental talento vocal con sus experiencias vitales en interpretaciones sinceramente profundas.

Le chanteur et le guitariste transforment un programme éclectique, de Dowland à Barbara, en récital palpitant.

Le jeune ensemble créé en 2010 par Juliette Guignard et Louis-Noël Bestion de Camboulas montre son exceptionnelle maturité dans un concert intégralement consacré à Purcell.

Les Violons du Roy ont permis aux mélomanes de Québec de découvrir la mezzo-soprano britannique Christine Rice, qui a ébloui dans un répertoire allant de Purcell à Britten.

Programme puis projet de plus grande envergure conçu par Joyce DiDonato après les attentats de novembre 2015 à Paris, ce récital repris cette saison dans "Les Grandes Voix" aux côtés de l'orchestre Il Pomo d'Oro dirigé par Maxim Emelyanychev résonne de façon significative avec l'actualité et propose de repenser la question de la paix autant que celle de l'expérience du concert.

Isabella Steppan berichtet von einem Potpourri aus Gewesenem, Überraschungen und Abschieden unter der Leitung von gleich zwei Dirigenten bei der Gala anlässlich des Endes der Intendanz Elisabeth Sobotkas.