Live, Video: Find classical music concert, opera, ballet and dance reviews | In the South (Alassio) - Concert Overture for orchestra, Op.50

Under Jaime Martín, the Melbourne Symphony Orchestra showcase Indigenous music through William Barton’s didgeridoo alongside Elgar and Mussorgsky, creating a visually and sonically vivid, if uneven, evening.

The Orchestra of the Age of Enlightenment and Dinis Sousa bravely venture into Elgar at the Queen Elizabeth Hall, with mixed success.

Music by Elgar, Liszt and Brahms form an attractive and scrupulously prepared programme, delivered with great aplomb by Alpesh Chauhan and the Bournemouth Symphony Orchestra.

As part of the LPO’s 2020 Vision series of concerts, a hotchpotch of works were gathered together to produce a rather mixed bag of an evening. 

Conductor Donald Runnicles and pianist Pierre-Laurent Aimard deliver a highly expressive performance with pieces by Elgar, Mozart and Strauss. 

Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra offer a stunning palette of orchestral colours in Elgar, Bell, Strauss, and Bartók.

Returning with a challenging 20th-century program, Vasily Petrenko shows that his stellar debut with the Cleveland Orchestra was no fluke.

Kaufmann’s magnificent instrument was not seen at its best in songs by Strauss, but there was pleasure from his clear artistry and the interesting orchestral pieces played by the BBCSO.

The BSO deliver a malevolent Walton Symphony no. 1 and a joyous Elgar In the South. Meanwhile, Trpčeski provides lovely moments in Tchaikovsky's Piano Concerto no. 1. 

With Damrau, one hears every word and her account of Strauss' Four Last Songs was memorable. 

New and old rubbed shoulders in this thrilling Philharmonia Orchestra concert of Elgar and Joseph Phibbs.

A pleasant afternoon's entertainment with grand sweeps and some beautiful singing by Roderick Williams.

On the second leg of its current European tour, the Chicago Symphony Orchestra and Riccardo Muti fail to scale the heights in an acoustically problematic venue.

Three English composers receive fine performances from the BBC National Orchestra of Wales.

To celebrate their ten year partnership, Vasily Petrenko and the RLPO serve up a hearty Russian meal with a British-Italian hors d'oeuvre.  

A stirring Pictures at an Exhibition makes for a memorable CSO gala.

Vasily Petrenko and Paul Lewis – two young men, around 40 years apiece – joined forces at the CSO last week in a program of very mature works. 

Vladimir Ashkenazy presents his own refreshing orchestration of Mussorgsky's Pictures at an Exhibition with the Hong Kong Phil

The London Symphony Orchestra premières Peter Maxwell Davies' tenth symphony, and Maxim Vengerov plays Britten's Violin Concerto at the Barbican.

As London became a vision in white and all went quiet, the Southbank Centre was abuzz with all manner of arts-related activities. One rail replacement bus and a brisk walk behind me, I had made it to see the Philharmonia Orchestra’s matinee concert of 20th-century English music, framed around John Ireland’s Piano Concerto.

As the programme put it, Prom 16 had a "distinctly watery" theme. The BBC National Orchestra of Wales took its audience on a trip to the Italian and French rivieras, with a staycation in the form of Hugh Wood's thrilling Piano Concerto. It was a challenging programme, which showed in the orchestra's playing more than once, but it was nevertheless an enjoyable experience.

When it comes to summertime concerts, visitors to the Amsterdam Concertgebouw are often lucky, and this year is no different: the Robeco Zomerconcerten offer a diverse and exciting program that was kicked off by the Netherlands Radio Philharmonic, Vassily Sinaisky and Pekka Kuusisto with music by Elgar, Sibelius and Tchaikovksy.

Several years ago I attended a glorious Baltimore Symphony Orchestra concert under the baton of a celebrity conductor. A less experienced listener at the time, I was shocked to watch him leading the orchestra in a Rossini overture with his arms folded behind his back.

L'altiste et le chef d'orchestre John Eliot Gardiner retrouvent l'œuvre de Berlioz à laquelle ils ajoutent leur mise en scène toujours aussi astucieuse.