Angel Blue shines in the Met’s glitzy new Aida

Quinn Kelsey (Amonasro) and Angel Blue (Aida)

Angel Blue (Aida)

Piotr Beczała (Radamès), Dmitry Belosselskiy (Ramfis) and Met Chorus

Quinn Kelsey (Amonasro), Morris Robinson (King), Dmitry Belosselskiy (Ramfis) and Met Chorus

Judit Kutasi (Amneris) and Angel Blue (Aida)

Por Susan Stempleski, 01 enero 2025

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“effortlessly navigated Verdi’s long and technically intricate passages”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 31 diciembre 2024

Verdi, Aida

Metropolitan Opera

Yannick Nézet-Séguin, Dirección

Michael Mayer, Dirección de escena

Christine Jones, Diseño de escena

Susan Hilferty, Diseño de vestuario

Kevin Adams, Diseño de iluminación

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

59 Productions, Videoarte

Judit Kutasi, Amneris

Piotr Beczała, Radamès

Quinn Kelsey, Amonasro

Angel Blue, Aida

Dmitry Belosselskiy, Ramfis

Morris Robinson, King of Egypt

Amanda Batista, Priestess

Oleg Glushkov, Coreografía

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Porgy and Bess returns stronger than ever at the Met

Robert Levine, 7th December

Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer.

*****

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.