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“una estilización extrema del arte de acompañar, aunque no faltaron momentos majestuosos y enérgicos”
Crítica hecha desde Auditorio Nacional de Música, Madrid el 17 octubre 2025
Handel, Theodora, HWV 68: Preludio
Handel, La resurrezione, HWV 47: Augelletti, ruscelletti
Handel, Coronation Anthem no. 1: Zadok the priest, HWV 258
Handel, La Resurrezione, HWV 47: Disseratevi, o porte d’Averno
Handel, Rinaldo, HWV 7: Ah! crudel
Handel, Agrippina: Sinfonia
Handel, Theodora, HWV 68: As with rosy steps
Handel, Dixit Dominus in G minor, HWV 232: De torrente in via bibet
Handel, L'Allegro, il Penseroso ed il Moderato, HWV 55: Oh let the merry bells ring round
Handel, Amadigi, HWV 11: Pena tiranna
Handel, Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine
Handel, Suite no. 2 in D major, HWV 349: Hornpipe
Handel, Theodora, HWV 68: He Saw the Lovely Youth
Handel, Giulio Cesare in Egitto, HWV 17: Piangerò la sorte mia
Handel, Orlando, HWV31: Ah stigie larve (Mad scene)
Handel, Theodora, HWV 68: O Love Divine, thou Source of Fame
Handel, Israël en Égypte, HWV 54: Sing Ye to the Lord
Teodor Currentzis, Dirección
musicAeterna
Tatiana Bikmukhametova, Soprano
Yulia Vakula, Mezzosoprano
Ksenia Dorodova, Soprano
Diana Nosyreva, Soprano
Iveta Simonyan, Soprano
Sofya Tsygankova, Soprano
Andrey Nemzer, Tenor

