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“una estilización extrema del arte de acompañar, aunque no faltaron momentos majestuosos y enérgicos”
Critique faite à Auditorio Nacional de Música, Madrid, le 17 octobre 2025
Haendel, Theodora, HWV 68: Preludio
Haendel, La resurrezione, HWV 47: Augelletti, ruscelletti
Haendel, Coronation Anthem no. 1: Zadok the priest, HWV 258
Haendel, La Resurrezione, HWV 47: Disseratevi, o porte d’Averno
Haendel, Rinaldo, HWV 7: Ah! crudel
Haendel, Agrippina: Sinfonia
Haendel, Theodora, HWV 68: As with rosy steps
Haendel, Dixit Dominus in G minor, HWV 232: De torrente in via bibet
Haendel, L'Allegro, il Penseroso ed il Moderato, HWV 55: Oh let the merry bells ring round
Haendel, Amadigi, HWV 11: Pena tiranna
Haendel, Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine
Haendel, Suite no. 2 in D major, HWV 349: Hornpipe
Haendel, Theodora, HWV 68: He Saw the Lovely Youth
Haendel, Jules César en Egypte (Giulio Cesare in Egitto), HWV 17: Piangerò la sorte mia
Haendel, Orlando, HWV31: Ah stigie larve (Mad scene)
Haendel, Theodora, HWV 68: O Love Divine, thou Source of Fame
Haendel, Israël en Égypte, HWV 54: Sing Ye to the Lord
Teodor Currentzis, Direction
musicAeterna
Tatiana Bikmukhametova, Soprano
Yulia Vakula, Mezzo-soprano
Ksenia Dorodova, Soprano
Diana Nosyreva, Soprano
Iveta Simonyan, Soprano
Sofya Tsygankova, Soprano
Andrey Nemzer, Ténor
