Lander/Forsythe à Garnier

Por Laurine Mortha, 22 septiembre 2014

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“Une compagnie en majesté”

Crítica hecha desde Opéra national de Paris: Palais Garnier, París el 20 septiembre 2014

Études

Woundwork 1

Pas/Parts (William Forsythe)

Ballet de l'Opéra de Paris

La CND da un salto cuántico con Forsythe

Eduardo López-Collazo, 30th April

Sólo una duda se respira con el encendido final de la luz... ¿Qué será lo próximo?

*****

Turn It Out with Tiler Peck & Friends: bubbling over with passion

Amanda Jennings, 12th March

Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered.

****1

Stylish and stirring: Turn It Out With Tiler Peck & Friends

Carla Escoda, 16th October

Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.

****1

Foreseeable Future is aimless movement to aimless music at NYCB

Ivy Lin, 9th October

Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.

**111

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

ENB: R:Evolution showcases tenacity, legacy and talent

Deborah Weiss, 1st October

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

****1

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Laurine Mortha

Danseuse amatrice depuis 20 ans, Laurine est une habituée des scènes parisiennes, classiques et contemporaines, et a été chorégraphe d'une comédie musicale amateur.

Lander/Forsythe à l’Opéra Garnier : un hommage à l’art de la danse