En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Peter Mattei

Gran primera parte de Peter Mattei con obras del joven Mahler e irregular Quinta sinfonía en la segunda, entre los hallazgos momentáneos y la neurosis 

Baritone Peter Mattei brought both musical sensitivity as well as almost Berg-ian drama to Mahler’s Lieder eines fahrenden Gesellen, ably supported by Manfred Honeck and the Gothenburg Symphony Orchestra, in a successful livestream concert. 

Andrew Staples creates an austere, monochrome semi-staging that's strangely appropriate to the times; Peter Mattei and John Lundgren lead an excellent cast.

Despite theatrical drawbacks, this Wozzeck is heartily recommend due to Yannick Nézet-Séguin's staggering understanding of all facets of Berg's score.

The Met's spectators love Mozart’s opera, but they deserve an updated staging.

Une bien belle soirée qui mit Haydn à l'honneur sous la direction magnifique de Gabor Takacs-Nagy qui fut l'architecte bienveillant d'une équipe superlative.

Forte d’une tenue et d’une distribution remarquables, portée par un souci conjugué du texte et du symbole, cette nouvelle mouture de Parsifal signée Richard Jones s’empare habilement des fulgurances et ambiguïtés de l'œuvre. 

The Met’s production of Wagner’s Parsifal is a harrowing affair, entrancing in its refusal to charm. 

Créé il y a dix ans à Vienne, triomphe au Festival d’Aix qui a suivi, De la maison des morts, dans la mise en scène de Patrice Chéreau, est enfin donné sur la scène de Bastille, ici encore sous l’impulsion bienveillante de Stéphane Lissner.

Barrie Kosky’s atypically conservative production of the Russian classic was marked by musical direction and vocal performances of the highest order.

In April, Peter Mattei and Anna Netrebko were starring together in Eugene Onegin at the Metropolitan Opera. Less than a month later and they are reunited in Paris in Willy Decker's staging.

The evening was dominated by Anna Netrebko, who reprised the role of Tatiana with fresh insights and vocal charisma.  Robin Ticciati led the Met Orchestra to probe a new depth of the score.

Zur Eröffnung des diesjährigen Festivals gab der neue Leiter des Lucerne Festival Orchestra Riccardo Chailly seinen bejubelten Einstand mit einer grandiosen Aufführung von Mahlers Achter Symphonie.

The Netherlands Radio Choir is marking its 70th anniversary with a series of jubilee concerts, including Brahms’ Ein deutsches Requiem, conducted with control and compassion by Edo de Waart.

The Met brought back its traditional staging of Tannhäuser with remarkable performances by the Orchestra, Chorus and soloists, with two outstanding male singers.

Fidelio waves goodbye to Barenboim at La Scala, and a fine production marks the occasion with a firework display. 

After a six week hiatus, the Metropolitan Opera's new Le nozze di Figaro has returned, with a new cast and conductor.

Richard Eyre’s witty direction may weight Figaro too heavily towards bedroom farce than satirical drama, but with sparky acting it’s difficult not to be won over. 

Before the music in the Metropolitan Opera’s new Parsifal starts, a black but reflective curtain drapes the front of the stage. It is dim enough not quite to show the audience, but it picks out the chandeliers.

Read our review of Bartlett Sher's production of Rossini­'s Il Barbiere di Siviglia in its 2007 broadcast from the Met Opera in New York.