En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Katarina Dalayman

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Madrid

02 feb 2025

La seducción y el deseo: Eugene Onegin en el Teatro Real

Por Juan José Freijo

Madrid

Ni luna llena, ni nueva: Rusalka en el Real

Por Ramón del Buey Cañas, 14 noviembre 2020

Una nueva producción de la mano Christof Loy lleva a Rusalka al Teatro Real con un magnífico elenco encabezado por la soprano Asmik Grigorian.

***11

***11

Madrid

18 nov 2020

Ni luna llena, ni nueva: Rusalka en el Real

Por Ramón del Buey Cañas

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Glyndebourne

Barrie Kosky delivers a devastating Carmélites at Glyndebourne

Por Dominic Lowe, 10 junio 2023

Brought to life by some sensational singing from a strong cast, Kosky's staging delivers repeated emotional punches.

*****

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Glyndebourne

12 jun 2023

Barrie Kosky delivers a devastating Carmélites at Glyndebourne

Por Dominic Lowe

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Rattle and the LSO chill the soul in Kátya Kabanová

Por Mark Valencia, 11 enero 2023

Amanda Majeski reprises her peerless Kátya, but Katarina Dalayman's flint-like characterisation as Kabanicha strikes the most sparks.

****1

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Londres

13 ene 2023

Rattle and the LSO chill the soul in Kátya Kabanová

Por Mark Valencia

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Malin Byström and Alexander Soddy lead superb Salome revival at the Royal Opera House

Por Roy Westbrook, 09 septiembre 2022

Swedish soprano Malin Byström returns to Sir David McVicar's production at Covent Garden, where she is now probably unsurpassed in the role, vocally and histrionically.

*****

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Londres

11 sep 2022

Byström and Soddy lead superb Salome revival at the ROH

Por Roy Westbrook

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Edinburgh

Salome stoked to red heat by Byström, Gardner and the Bergen Philharmonic in Edinburgh

Por David Smythe, 14 agosto 2022

Returning to the Edinburgh International Festival after their astonishing Peter Grimes, the Bergen Philharmonic and Edward Gardner bring another opera, Richard Strauss' murderous Salome.

*****

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Edinburgh

15 ago 2022

Salome stoked to red heat by Byström and the Bergen Philharmonic

Por David Smythe

Glyndebourne

In the bleak midsummer: Damiano Michieletto's Kátya Kabanová at Glyndebourne

Por David Karlin, 20 mayo 2021

Glyndebourne's 2021 season opens with an intense, minimalist staging of Janáček’s tale of adultery, focused on the contrasts between its heroine's dreams and reality.

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Glyndebourne

21 may 2021

In the bleak midsummer: Kátya Kabanová at Glyndebourne

Por David Karlin

Total Immersion: A deep dive into the work of Nadia and Lili Boulanger

Por Timmy Fisher, 06 abril 2019

James Gaffigan and the BBC Symphony Orchestra and Chorus provide the climax to a worthy day of discovery at the Barbican.

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Londres

07 abr 2019

A deep dive into the work of Nadia and Lili Boulanger

Por Timmy Fisher

Melbourne

A compelling Parsifal from Victorian Opera in Melbourne

Por Brian Angus, 20 febrero 2019

The Australian Youth Orchestra was full of poise and maturity and all the singing was impressive in Roger Hodgman's production.

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Melbourne

21 feb 2019

A compelling Parsifal from Victorian Opera in Melbourne

Por Brian Angus

Cavanagh's undercooked Aida returns to the Royal Swedish Opera with a new cast

Por Laura Servidei, 27 octubre 2018

Carè, Katzarava and Treichl give committed performances in a reprise of Cavanagh’s production.

**111

**111

Estocolmo

29 oct 2018

Aida returns to the Royal Swedish Opera with a new cast

Por Laura Servidei

Great debut for Christina Nilsson as Aida in Stockholm

Por Laura Servidei, 26 febrero 2018

The remarkable performance of young soprano Christina Nilsson does not completely rescue a mixed-bag cast and a lack of Personenregie at the Stockholm Royal Opera.

**111

**111

Estocolmo

28 feb 2018

Great Aida debut for Christina Nilsson

Por Laura Servidei

Iréne Theorin triumphs as Elektra in Stockholm

Por Laura Servidei, 10 enero 2018

A quasi-concertante setting highlights Theorin's masterful performance as Elektra, Cornelia Beskow's fragile, human Chrysothemis and Katarina Dalayman's haunting Klytaemnestra.

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Estocolmo

11 ene 2018

Iréne Theorin triumphs as Elektra in Stockholm

Por Laura Servidei

Ragnarök: the long twilight of the Stockholm Ring

Por John Johnston, 29 mayo 2017

Ragnarök: the Swedish title for Götterdämmerung resonates with Old Norse folk memories of universal inundation and overthow of the order of the gods.

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Estocolmo

31 may 2017

Ragnarök: the long twilight of the Stockholm Ring

Por John Johnston

An outstanding Swedish Sieglinde in a strongly cast Walküre in Stockholm

Por John Johnston, 25 mayo 2017

Stemme as Brünnhilde delivered her opening battle cry in Victorian riding habit like one of Trollope's racier fox- hunting heroines.

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Estocolmo

26 may 2017

An outstanding Swedish Sieglinde in Stockholm

Por John Johnston

A highly accomplished start to Stockholm's Ring

Por John Johnston, 24 mayo 2017

John Lundgren, bullet-headed, youthful and overbearing, gave a world-class performance as Wotan.

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Estocolmo

25 may 2017

A highly accomplished start to Stockholm's Ring

Por John Johnston

The Met's new Rusalka: a missed opportunity but with great musical values

Por Ako Imamura, 09 febrero 2017

The Metropolitan Opera's new produdtion of Rusalka fails to explore a deeper complexity of the fairy tale, although a strong ensemble of singers and the superb Met Orchestra make it a musically compelling performance.

***11

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Nueva York

12 feb 2017

A missed opportunity but with great musical values

Por Ako Imamura

Magnificent climax to the Philharmonia Stravinsky series

Por David Truslove, 29 septiembre 2016

Searing performances from a mixed cast, superb choir and orchestra; all brilliantly conducted by Esa-Pekka Salonen.

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Londres

03 oct 2016

Magnificent climax to the Philharmonia Stravinsky series

Por David Truslove

Cleveland

A darkly dramatic Bartók double bill in Cleveland

Por Timothy Robson, 07 abril 2016

The Cleveland Orchestra and Joffrey Ballet team up for staged performances of Bartók's The Miraculous Mandarin and Bluebeard's Castle.

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Cleveland

09 abr 2016

A darkly dramatic Bartók double bill in Cleveland

Por Timothy Robson

Ámsterdam

A miraculous Lohengrin at the Concertgebouw

Por Nicolas Nguyen, 18 diciembre 2015

Sir Mark Elder led the Royal Concertgebouw Orchestra and an inspired team of soloists headed by Klaus Florian Vogt into a highly-charged performance of Lohengrin.

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Ámsterdam

20 dic 2015

A miraculous Lohengrin at the Concertgebouw

Por Nicolas Nguyen

París

Esa-Pekka Salonen dirige de somptueux et lumineux Gurrelieder

Por Gilles Lesur, 14 marzo 2014

Les occasions d’entendre les Gurrelieder d’Arnold Schönberg ne sont pas si fréquentes.

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París

18 mar 2014

Esa-Pekka Salonen s'illustre dans les Gurrelieder

Por Gilles Lesur

Christof Loy's Parsifal at the Royal Swedish Opera

Por Aksel Tollåli, 05 octubre 2013

German director Christof Loy’s second production for the Royal Swedish opera was of Wagner’s Parsifal. The cast is rather on the luxurious side as well, sporting three of the greatest Wagner singers working today – two of them Swedish, no less!Loy’s Parsifal is a distinctly human drama.

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Estocolmo

08 oct 2013

Christof Loy's Parsifal at the Royal Swedish Opera

Por Aksel Tollåli

Prom 57: The Hallé's heavenly Parsifal

Por Andrew H. King, 25 agosto 2013

Celebrating the Wagner centenary in 1913, the Hallé Orchestra gave a concert performance in Manchester of Acts II and III from Wagner’s epic final masterpiece Parsifal.

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Londres

27 ago 2013

Prom 57: The Hallé's heavenly Parsifal

Por Andrew H. King

Götterdämmerung at the Met

Por Meg Wilhoite, 02 mayo 2013

The word Götterdämmerung contextually translated becomes “twilight of the gods”, and Thursday night’s story at the Met was indeed full of endings: the conclusion of the saga of the ring and the end of several lives, human and god alike.

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Nueva York

07 may 2013

The Met: Götterdämmerung

Por Meg Wilhoite

Flashes of brilliance in the Met's Siegfried

Por David Karlin, 29 abril 2013

All things considered, this Met Siegfried was a mixed affair. There was much to enjoy and much to marvel at; there were times where the performance felt as if it might achieve real lift-off, but it never quite achieved the sustained momentum of Friday's Walküre.

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Nueva York

30 abr 2013

The Met: Siegfried

Por David Karlin

Die Walküre at the Met

Por David Karlin, 26 abril 2013

In last night’s performance of Die Walküre at the Met, Martina Serafin as Sieglinde and Simon O’Neill as Siegmund drew us completely into the process of two people falling into illicit love.

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Nueva York

01 may 2013

The Met: Die Walküre

Por David Karlin

The music redeems unanswered questions in the Met's beautiful new Parsifal

Por David Allen, 15 febrero 2013

Before the music in the Metropolitan Opera’s new Parsifal starts, a black but reflective curtain drapes the front of the stage. It is dim enough not quite to show the audience, but it picks out the chandeliers.

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