En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Masaaki Suzuki

Three beautiful cantatas from Bach and his Mass in F major made for a rewarding concert with the Bach Collegium Japan. Suzuki directs a thoughtful and heartfelt rendition and is joined by a quartet of excellent soloists. 

Grand spécialiste du baroque allemand, Masaaki Suzuki est très attentif à son Orchestra of the Age of Enlightenment en petite forme. Robert Murray se distingue dans une distribution de qualité.

C minor and C major are at the centre of Masaaki Suzuki's Haydn and Beethoven programme with the Sydney Symphony. 

On the basis of this concert, the graduate ensemble Juilliard415 (named after the standard Baroque pitch of 415 Hz) is already of extremely high quality indeed, technically proficient and highly in-tune with Baroque style.

6 aus 6: Alle Kantaten überzeugen jeweils mit Betonung der instrumentalen Besonderheit, Strenge, Frische, schreitendem Atem, Klarheit und Festlichkeit.

Masaaki Suzuki’s debut with the Sydney Symphony Orchestra.

Masaaki Suzuki and the Bach Collegium Japan deliver a generally satisfying Mass in B minor.

Masaaki Suzuki leads Bach Collegium Japan in delicate renderings of the Orchestral Suite no.3, the Double Concerto and the Magnificat that convince more in the slower passages.

The Radio Kamer Filharmonie gave a riveting performance of orchestral works of the late 18th century under the direction of Masaaki Suzuki this weekend at the Amsterdam Concertgebouw. The theme of the afternoon dealt with the brief but highly influential German artistic movement dubbed Sturm und Drang.

James Waters, Director of Classical Music at Horsecross, explained that he had been waiting for two years to welcome the Bach Collegium of Japan to Perth Concert Hall, with its especially good acoustic for baroque music.

I took my nephew, a vocal arts student, to see Bach's Passion According to St. John partially so he could experience Boston Symphony and partially to introduce him to choral music – which is some of my favorite. I hadn't been to Symphony Hall since my childhood and was glad to see nothing had changed. One has the sense that generations have passed through the hall in a continuous flow.