Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Masaaki Suzuki

Natürlich mit immer weiter greifender Erfahrung vollbringt Suzuki bei seiner NBV-Rückkehr das ihn auszeichnende Kunststück, schlafwandlerisch-laseroptische Sorgfalt mit eindringlich akzentuierter sowie musikalisch fließender, botschaftspflichtiger und enthusiastischer Hingabe zu koppeln.

Die Rückkehr Suzukis mit Bach in die Kölner Philharmonie zum Auftakt einer neuen Europatournee war geprägt von Sinn, Glaube und Dankbarkeit.

Selbst wenn bei diesem Marathon stimmlich nicht immer alles perfekt lief, überzeugte doch in hohem Maße die – wie die Botschaft die Jünger – generelle Umsetzung dieses Zyklus mit hochkarätigen Erscheinungen.

6 aus 6: Alle Kantaten überzeugen jeweils mit Betonung der instrumentalen Besonderheit, Strenge, Frische, schreitendem Atem, Klarheit und Festlichkeit.

In invigorating performances of Bach, Mozart and Beethoven in Auckland, Suzuki's interpretative approach evokes the sensibilities of historically informed performance. 

El excelente conjunto Bach Collegium Japan, por primera vez de la mano de Ibermúsica, presentó un programa dedicado a Mozart y contó con la dirección de Masato Suzuki. 

In its 300th anniversary year, Bach's St John Passion returns to the BBC Proms, with Masaaki Suzuki leading the Bach Collegium Japan. 

El Bach Collegium Japan recreó en el Palacio de Festivales la profundidad emocional y musical de la obra de Bach bajo la dirección de Masaaki Suzuki y el protagonismo de unos excelsos solistas. 

La Philarmonia Orchestra ofrece un concierto con Masaaki Suzuki en la dirección, en el que destacó la Obertura de Egmont de Beethoven.

In celebration of the 300th anniversary of Bach's St John Passion, Masaaki Suzuki and Bach Collegium Japan gives a compelling performance of the lesser-known 1725 version of work.

Masaaki Suzuki leads the Choir and Orchestra of the Age of Enlightenment through Bach's Christmas Oratorio across two evenings at the Southbank Centre. 

Masaaki Suzuki dirigió la magnífica obra de Johann Sebastian Bach buscando la unificación en el rezo y en la que los talentos individuales mejoraban la expresión conjunta.

For a year and a half since their European tour was cut short due to the outbreak of the pandemic, Masaaki Suzuki and Bach Collegium Japan have been grounded in Japan, performing domestically despite restrictions.

Three beautiful cantatas from Bach and his Mass in F major made for a rewarding concert with the Bach Collegium Japan. Suzuki directs a thoughtful and heartfelt rendition and is joined by a quartet of excellent soloists. 

Grand spécialiste du baroque allemand, Masaaki Suzuki est très attentif à son Orchestra of the Age of Enlightenment en petite forme. Robert Murray se distingue dans une distribution de qualité.

C minor and C major are at the centre of Masaaki Suzuki's Haydn and Beethoven programme with the Sydney Symphony. 

On the basis of this concert, the graduate ensemble Juilliard415 (named after the standard Baroque pitch of 415 Hz) is already of extremely high quality indeed, technically proficient and highly in-tune with Baroque style.

Masaaki Suzuki’s debut with the Sydney Symphony Orchestra.

Masaaki Suzuki and the Bach Collegium Japan deliver a generally satisfying Mass in B minor.

Masaaki Suzuki leads Bach Collegium Japan in delicate renderings of the Orchestral Suite no.3, the Double Concerto and the Magnificat that convince more in the slower passages.

The Radio Kamer Filharmonie gave a riveting performance of orchestral works of the late 18th century under the direction of Masaaki Suzuki this weekend at the Amsterdam Concertgebouw. The theme of the afternoon dealt with the brief but highly influential German artistic movement dubbed Sturm und Drang.

James Waters, Director of Classical Music at Horsecross, explained that he had been waiting for two years to welcome the Bach Collegium of Japan to Perth Concert Hall, with its especially good acoustic for baroque music.

I took my nephew, a vocal arts student, to see Bach's Passion According to St. John partially so he could experience Boston Symphony and partially to introduce him to choral music – which is some of my favorite. I hadn't been to Symphony Hall since my childhood and was glad to see nothing had changed. One has the sense that generations have passed through the hall in a continuous flow.