En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Alexander Kravets

Se representa en el Teatro Real El gallo de oro, un trabajo insólitamente crítico para su época, en una produccion que, gracias a la conjunción de elementos, destila magia, calidad artística y un toque ácido de presente.

The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

Krzysztof Warlikowsi inszeniert Weinbergs Oper ebenso klar wie packend, Mirga Gražinytė-Tyla inspiriert die Wiener Philharmoniker zur Höchstleistung und auch das Sängerensemble bietet Topqualität. 

The Royal Opera orchestra, chorus and a large cast bring their A game to Sir Antonio Pappano's last run as music director.

Andris Nelsons brings his Shostakovich project to a close in Boston with an incandescent performance of Lady Macbeth of Mtsensk. 

La mise en scène lourdingue d'Àlex Ollé est heureusement compensée par l'interprétation musicale, portée par une distribution, un orchestre, un chœur et un chef inspirés.

Riddle me this: what is the result of combining Andrei Serban's beloved staging of Turandot with Antonio Pappano's first stage outing of the piece? Answer: a thrilling evening.

Ildar Abdrazakov and Ain Anger excel in the confrontation of tsar and historian; Kaspar Holten's safe but effective staging focuses on the relentless march of history.

En ouverture de saison, la production mise en scène par David Marton et dirigée par Nathalie Stutzmann est un succès, porté par une belle distribution.

Moshe Leiser and Patrice Caurier’s production has undergone a year of expert scrutiny before this well-sung revival. 

Die Koproduktion von Oper und Schauspiel Frankfurt wird pünktlich im Dante-Jahr 2021 zur Uraufführung gebracht.

L'institution monégasque finit sa saison en beauté avec l'œuvre de Moussorgski, servie par une mise en scène subtile et une distribution impeccable jusque dans ses seconds rôles.

Willy Decker does not try to make the structure of the plot any clearer, mainly concentrating on the deeper meaning of the work. The cast was excellent.

The National Theater opens the season with Rodion Shchedrin's searing version of Lolita, with spectacularly disturbing results.

Herheim places the composer at the centre of his opera in a staging that's clever and erudite but somewhat cold; musical performances are mixed.

Mariss Jansons and the Vienna Philharmonic do the real storytelling as Hans Neuenfels' staging underwhelms.

Shostakovich's early masterpiece is fêted at the Komische Oper Berlin

Willy Decker's production, presented in Zürich in 2014, is revived at the Hamburgische Staatsoper with most of the same cast

Laurent Pelly exploits the satirical side of Rimsky-Korsakov's The Golden Cockerel at La Monnaie in a darkly humorous but colourfully performed production.

I arrived at the Royal Opera House in the usual way, settled into my seat, and – could you believe it – the opera was gone!