Jansons trumps Neuenfels' tame Pique Dame in Salzburg

Por Mark Pullinger, 11 agosto 2018

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“Igor Golovatenko's polished baritone shone as Yeletsky, his long lines aristocratically arched”

Crítica hecha desde Großes Festspielhaus, Salzburgo el 10 agosto 2018

Chaikovskiï, La dama de picas

Mariss Jansons, Dirección

Hans Neuenfels, Dirección de escena

Christian Schmidt, Diseño de escena

Reinhard von der Thannen, Diseño de vestuario

Brandon Jovanovich, Herman

Vladislav Sulimsky, Tomsky

Igor Golovatenko, Yeletsky

Evgenia Muraveva, Lisa

Oksana Volkova, Polina

Hanna Schwarz, The Countess

Stanislav Trofimov, Surin

Gleb Periazev, Narumov

Margarita Nekrasova, The Governess

Pavel Petrov, Chaplitsky

Alexander Kravets, Chekalinsky

Vasilisa Berzhanskaya, Masha

Yulia Suleimanova, Prilepa

Salzburger Festspiele und Theater Kinderchor

Wiener Philharmoniker

(K)ein großes Drama: Manon Lescaut an der Bayerischen Staatsoper

Isabella Steppan, 17th April

Eine solide Vorstellung von Puccinis Oper, ganz ohne Taschentuchalarm, aber mit sehr guten Einzelleistungen.

***11

Das Spiegel-Kabinettstück des Hans Neuenfels: Die Entführung in Wien

Snapdragon, 15th March

Diese Vorstellungsserie ist dem Andenken des Regisseurs dieser Produktion, Hans Neuenfels (1941-2022) gewidmet.

****1

Double vision in Wiener Staatsoper's Entführung

George Jahn, 16th October

Actors double up with singers in Hans Neuenfels' innovative production of Die Entführung aus dem Serail in Vienna.

*****

Oscar Wilde takes centre stage in Staatsoper's Salome

Laura Servidei, 4th December

The Staatsoper revives a confused production by Hans Neuenfels, under the baton of Thomas Guggeis.

***11

Rachvelishvili triumphs as Azucena in Berlin

Laura Servidei, 12th May

In a dated production by Hans Neuenfels, conductor Giacomo Sagripanti leads a musically successful Trovatore, where Angela Meade and Anita Rachvelishvili show their vocal brilliance.

****1

Neuenfels' bloodless Salome in Berlin

Hugo Shirley, 8th March

Hans Neuenfels new Salome proves a strangely non-committal affair at the Staatsoper, but Thomas Guggeis conducts impressively.

***11

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Jansons and the Vienna Phil trump Neuenfels' tame Pique Dame in Salzburg