En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Andrea Schmidt-Futterer

Das Theater Bonn widmet sich im Beethovenjahr 2020 dem Komponisten mit einer Auftragskomposition Manfrad Trojhans.

Genève s’offre une Carmen qui brûle les planches dans une mise en scène élégante sans en devenir aride.

In the hands of director Hans Neuenfels, the Swiss première of Manfred Trojahn’s Orest was widely anticipated for its “splashes of gore and commensurate splatters of sound”.

Fabio Luisi conducts a solidly cast Guillaume Tell with panache, Rossini's final opera returning to the Metropolitan Opera after a long absence. 

A huge revolving grey monolith centre stage dominated a grey floor, grey props and men in grey costumes, all detracting from the gaiety Verdi envisaged as the essence of Falstaff.

Un spectacle magnifique en cette fin de saison à Genève ! Tout y resplendit de noirceur dans cette farce géniale d’un Verdi qui va bientôt nous dire au revoir... Génie !

Die Uraufführung von Miroslav Srnkas Doppeloper South Pole bleibt trotz größtem Staraufgebot hinter den medial so breitflächig geschürten Erwartungen zurück, wird aber vom Publikum gefeiert.

Riccardo Chailly kicks off his interim role as Principal Director at La Scala with Turandot, featuring Luciano Berio's ending, a score he knows like the back of his hand. 

This revival of Peter Mussbach's production of Macbeth is devoid of props and places the focus squarely on singers and orchestra. This challenge was splendidly met by Plácido Domingo, making a role debut as Macbeth, and Liudmyla Monastyrska.

Neuenfels' production of Manon Lescaut for the Bayerische Staatsoper is strange but coherent. With a perfect cast and tight musical direction, this is about as good as Puccini opera gets.

A dark and minimalist take on Verdi's beloved La Traviata misses the point at the Staatsoper im Schiller Theater in Berlin. Only the Staatskapelle Berlin orchestra and Alfredo Daza (Germont) emerge with credit.