En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Andrei Popov

La nariz nos ofrece la oportunidad de reflexionar en clave irónica sobre la creación en su contexto histórico, las vanguardias, la política, la sociedad y la filosofía.

With Claus Guth directing and Simone Young on the podium, the Staatsoper Unter den Linden's new production of Mussorgsky's Khovanshchina proves that the past isn't really past. 

Das Auftragswerk Animal Farm wird vom Wiener Publikum mit viel Applaus bedacht und wirkt auch 80 Jahre nach der Veröffentlichung von George Orwells Klassiker zeitgemäß wie nie.

Weihnachten mal anders: Die Oper Frankfurt zeigt eine Rimsky-Korsakow Rarität und beschert so ein Fest fernab der gewohnten „Weihnachtsopern“.

Ein denkwürdiger Opernabend, an dem musikalisch einfach alles stimmte.

Kirill Serebrennikov inszeniert Schostakowitschs Oper als Polit-Revue und setzt damit richtungsweisende Akzente für die kommende Spielzeit unter dem neuen Intendanten Serge Dorny.

Its premiere postponed from Festival d'Aix last summer, Barrie Kosky's staging of Rimsky-Korsakov's political satire finally takes place in Lyon. 

Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.

Âmes sensibles s'abstenir ! La nouvelle production de Lady Macbeth de Mtsensk à l'Opéra de Paris, dans la mise en scène de Krzysztof Warlikowski, nous montre l’homme dans toute sa crasse et sa noirceur.

Troisième épisode de L'Anneau du Nibelung en version de concert à la Philharmonie de Paris, par Valery Gergiev et le Mariinsky, six mois après deux premiers volets mitigés.

With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.

Premier volet d'une "tétralogie de concert" à la Philharmonie de Paris, par Valery Gergiev et le Théâtre Mariinsky, pour un Or du Rhin exigeant mais prometteur.

Valery Gergiev ehrt Rodion Shchedrin zu dessen 85. Geburtstag in München mit einer kontemplativ-konzertanten Aufführung von The Enchanted Wanderer.

In Tarkovsky's venerable production, the Mariinsky orchestra and chorus are brilliant – but too brilliant for their soloists, including two replacement Borises for an indisposed Mikhail Petrenko.

Rodion Shchedrin's opera mixes singing, choreography and storytelling to lend a potent sacred and mystic overlay to Nikolai Leskov's folk tale.

Tcherniakov's moving production delves into the psychological rather than revelling in the spectacular. 

Valery Gergiev conducts the Mariinsky Opera in a vocally strong Das Rheingold, a promising beginning to Edinburgh International Festival’s Ring in concert over the coming years.

The role of the outsider struck a chord with Tchaikovsky, whose homosexuality alienated him from society. Stefan Herheim takes that identification as the central idea in his remarkable new production at Dutch National Opera.

Christof Loy’s minimalist staging for Khovanshchina at Dutch National Opera has the advantage of clarifying a reputedly fragmented plot. 

Shchedrin’s opera The Enchanted Wanderer is the complete opposite of shocking and director Alexei Stepanyuk’s staging alongside Valery Gergiev’s command over the Mariinsky Theatre Orchestra revealed something of a translucid daydream.

Valery Gergiev conducts a mesmerising account of Wagner's Siegfried in Birmingham

Richly imagined, superbly orchestrated and conducted by Valery Gergiev, this concert performance at the Barbican was an exciting première of Shchedrin's new opera, inspired by Leskov. 

Mikhail Kazakov gives a compelling portrayal of the troubled Tsar Boris, as Gergiev and the Mariinsky provide a great showcase for one of the masterworks of Russian music.

Shostakovich's strange opera was reprised at the Met for the 2013 season and makes for excellent excitement. Somehow, the absurdities of the story, music, and production unite to create an experience that is just absurd enough to work.