En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | I Capuleti e i Montecchi (The Capulets and The Montagues)

Crítica comparativa entre los dos repartos de la obra, una confrontación de la que ambos salen airosos.

Eloise Lally shifts the Romeo and Juliet love story into New York mafia families. Jessica Cale and Samantha Price provide blissful bel canto as the star-crossed lovers.

La mise en scène sobre d’Allex Aguilera et la direction subtile de Maurizio Benini servent une belle production de l'opéra de Bellini, avec un duo d'amoureux parfaitement incarné par Rosa Feola et Raffaella Lupinacci.

The Opernhaus Zürich revives Christof Loy’s production with a new young cast under the baton of Fabio Biondi.

Stephanie Marshall's Romeo and Sarah-Jane Brandon's Giulietta make this production of Bellini's version of Romeo and Juliet utterly compelling.

Singers delight in a rare concert performance of Bellini's opera.

A dynamic cast recently gave the Zurich audience the “stuffs” of Vincenzo Bellini’s tragic opera: the power of duty, law and honour.

Joyce DiDonato is joined by Lawrence Brownlee and Laura Claycomb for an entertaining program of bel canto repertoire. 

Naples greets Mariella Devia with more than warm applause, despite some downsides in the orchestral accompaniment. 

L’Opéra de Paris propose un deuxième opéra de Bellini cette saison : I Capuleti e i Montecchi. Sous la baguette de Bruno Campanella et dans une mise en scène de Robert Carsen, Ekaterina Siurina (Giuletta) et Karine Deshayes (Romeo) incarnent le couple légendaire. Une production agréable sans être exceptionnelle.

Vincenzo Bellini’s operas are not among those that are played most often in Norway. This Saturday’s concert performance of I Capuleti e i Montecchi at the Norwegian Opera in Oslo was the second ever to take place in Norway, the first being a concert performance in the Oslo Concert House back in 2001.

In the last few decades, Bellini’s I Capuleti e i Montecchi has flirted with standard repertory status, but it has not sufficiently won the hearts of opera-goers to warrant more than the occasional production. Though blessed with some of the composer’s finest melodies, the opera has problems for modern audiences.