En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sinfonía núm. 11 en sol menor "El año 1905", Op.103

La Sinfónica de Galicia abrió su nueva temporada en la compañía de la violinista Patricia Kopatchinskaja que presentó el infrecuente Concierto op.36 de Arnold Schönberg, completó el programa otra impactante obra, la Sinfonía núm. 11 de Shostakovich.

La Orquesta Sinfónica de Euskadi, bajo el título Revuelto ruso, ofreció un agradable revuelto de sensaciones, desde la emoción a flor de piel en la primera parte a cargo de Joaquín Achúcarro, hasta la montaña rusa sonora de Shostakovich con la que se puso punto y final al concierto.

Vladimir Jurowski and the LPO reaffirm their credentials in Shostakovich, while Peter Donohoe gives a rare performance of John Foulds' piano concerto.

Étrange sensation que produit Evgeny Kissin, géant de l'art pianistique mais interprète sans fièvre et sans élans du Concerto n° 2 de Liszt, avec Robert Trevino et l'Orchestre de Paris.

The BBC Philharmonic on dazzling form with Rachmaninov, Shostakovich... and a bewitching new work by Outi Tarkiainen.

Wunderkind Russian piano virtuosi are no novelty in European concert halls. Artistic seriousness and subtle interpretive skill are a harder sell. Daniil Trifonov, a pianist with intelligent and original interpretations that belie a maturity beyond his tender years, closed his season-long residency at the Berlin Philharmonic with a performance of Scriabin's rarely performed piano concerto.

No one who had ever doubted the stature of the Eleventh could do so after this.

Porté par le violoniste David Grimal, l'ensemble Les Dissonances revient à la Philharmonie dans un programme de haute volée, avec un Stravinsky pétulant et un Chostakovich massif. 

Bemerkenswerte Hörerlebnisse in Rotterdam: Nicolas Altstaedt macht das Cellokonzert von Salonen zu einem fast virtuellen Erlebnis.

The Symphony no. 11 “The Year 1905”, receiving its BSO première, was the first of three Shostakovich symphonies to be presented in Boston this season. 

Alina Ibragimova plays with skill but insufficient sound to fill the Royal Albert Hall; Vladimir Jurowski and the LPO blow the roof off with Shostakovich's account of the Revolution of 1905.

Andris Nelsons has been a frequent visitor to the Royal Concertgebouw Orchestra since 2008, often conducting the symphonies of Shostakovich. 

The storm prevailed under Stefan Solyom – perhaps inevitable with Shostakovich – but quieter moments in the Strauss were beautifully handled by Lise Davidsen.

The perky new conductor of the BBC National Orchestra of Wales, Thomas Søndergård, made his second Proms outing with an exciting programme of contrasting works which kicked off with the first UK performance of Colin Matthews’ Turning Point.First performed by the Amsterdam Concertgebouw Orchestra in 2006, Turning Point is an eighteen-minute work of considerable technical skill.

If the presence of BBC Radio 3 and a huge audience occasioned any nervousness on the evening of Peter Oundjian’s first Edinburgh appearance as RSNO Music Director, it was well hidden. Weaving with boyish enthusiasm through the orchestra, a sporting spring in his step, he acknowledged the warm welcome before the orchestra dived into Glinka’s 1842 overture to Ruslan and Ludmilla.